
Henri Cartier-BressonFrance, 1908–2004Shanghai
Peut-on la voir ?
Pas exposée actuellement
Où est « Shanghai » aujourd’hui ? Collection: National Gallery of Art, Washington. Pas exposée actuellement. Vérifié 29 septembre 2026.
Washington, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 2015.120.3
Ce qu’elle montre
Au catalogue
Sources
- National Gallery of Art
- Image : National Gallery of Art — © the artist or rights holder
Dans la vie de Henri Cartier-Bresson
La vie entière1946–1947
Portraits of Valéry, Faulkner and Capote
In 1946–1947 he photographed Paul Valéry (1946), William Faulkner and Truman Capote (1947).
early 1947
Magnum Photos is founded
In early 1947, with Robert Capa, David Seymour, William Vandivert and George Rodger, he founded Magnum — a cooperative picture agency owned by its members; he was assigned India and China, and later also travelled to Pakistan, Burma, Indonesia, Mexico, Japan, Cuba, Canada and the USSR.
1947
The MoMA retrospective and his first book
His film spurred a retrospective at the Museum of Modern Art, which opened in 1947 and later toured the country; it was accompanied by his first book, “The Photographs of Henri Cartier-Bresson”, with texts by Lincoln Kirstein and Beaumont Newhall.
1948
Reporting Gandhi’s funeral
He achieved international recognition for his coverage of Gandhi’s funeral in India in 1948.
1948–1949
China at a turning point: the fall of the Kuomintang
He covered the last stage of the Chinese Civil War — the last six months of the Kuomintang administration and the first six months of the People’s Republic; in Beijing, as the communists liberated it, he photographed the last surviving imperial eunuchs, in Shanghai he often worked with the photojournalist Sam Tata, whom he had befriended in Bombay, and from China he went on to the Dutch East Indies to document independence from the Dutch.
1950
The last days of Ramana Maharshi, and Sri Aurobindo
In 1950 he travelled in South India: in Tiruvannamalai he photographed the last moments of Ramana Maharshi and his ashram, and a few days later he visited and photographed Sri Aurobindo, the Mother and the Sri Aurobindo Ashram in Pondicherry.








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