Gustave MoreauFrance, 1826–1898Sémélé
Peut-on la contempler ?
Inconnu
Musée Gustave-Moreau
Paris, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- Cat. 180
Ce qu’elle montre
Au catalogue
Sources
- Musée Gustave-Moreau
- Image : Musée Gustave-Moreau — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
Pendant ce temps, chez Gustave Moreau
La vie entière1859–1888 · Lieu de travail
Paris
1888
Travel: Belgium
1888
Travel: Netherlands
1888–1898 · Lieu de travail
Paris
28 March 1890
The death of Alexandrine Dureux
Alexandrine Dureux died on 28 March 1890 after five months of deteriorating health, and Moreau was at her bedside. He bought back from her heirs the watercolours he had given her and some furniture, placing them in a room of his house in her memory, and designed her tombstone himself, engraved with their interlaced initials. Both deaths reinforced his isolation, and his work took on an even greater melancholic edge.
October 1891 – January 1892
Takes over Delaunay’s studio at the École des Beaux-Arts
On his deathbed Élie Delaunay asked Moreau to succeed him and direct one of the school’s main ateliers. Moreau reluctantly took the class on a temporary basis in October 1891, but in January 1892, at the age of sixty-five, he accepted the appointment of professor and atelier director.
