Wenceslaus HollarTchéquie, Angleterre, 1607–1677Self-Portrait
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
National Gallery of Art
Washington, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 1946.9.82
Ce qu’elle montre
Au catalogue
Sources
- National Gallery of Art
- Image : National Gallery of Art — Museum open access
Pendant ce temps, chez Wenceslaus Hollar
La vie entière1645
Captured by parliamentary forces, he escapes
Hollar joins the Royalist Regiment and is captured by parliamentary forces in 1645 during the siege of Basing House; after a short time he manages to escape.
1646
After Arundel’s death he works for authors and publishers
After the earl’s death in Padua in 1646, Hollar earns his living by working for various authors and publishers, which becomes his primary means of distribution.
1646
Meets Arundel again in Antwerp
In Antwerp in 1646 Hollar again meets the Earl of Arundel, in whose household he had lived for many years.
1646–1652
Works in Antwerp during the Civil Wars
During the unrest of the Civil Wars he works in Antwerp, where he produces many of his most renowned works: Dutch cityscapes, seascapes, depictions of nature, his “muffs” and “shells”.
![Bride, from "Dance of Death", Wenceslaus Hollar, [1651] late 18th century printing](https://images.metmuseum.org/CRDImages/dp/web-large/DP822840.jpg)
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
