ART WIKI
Self-Portrait, Max Beerbohm, 1903
Max Beerbohm, portraitMax BeerbohmAngleterre, 1872–1956

Self-Portrait

1903 · Drawing · 18.4 × 10.8 cm

Peut-on la voir ?

Inconnu

Où est « Self-Portrait » aujourd’hui ? Collection: Centre d'art britannique de Yale, New Haven. On ignore si elle est exposée aujourd’hui.

Centre d'art britannique de Yale

New Haven, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée
Sur la cartePage du musée
Intégrer

Notice

Numéro d’inventaire
B1977.14.4919

Au catalogue

Dessins et aquarellesPlumeImpressionnismeModernismeXXe siècle

Sources

Autres œuvres : Max Beerbohm

Toutes les œuvres
Messrs. Carfax, Max Beerbohm, undated

Messrs. Carfax

undated · Centre d'art britannique de Yale

Lady Granby in Paris, Max Beerbohm, undated

Lady Granby in Paris

undated · Centre d'art britannique de Yale

Mr. W.B. Yeats, presenting Mr. George Moore to the Queen of the Fairies, Max Beerbohm, undated

Mr. W.B. Yeats, presenting Mr. George Moore to the Queen of the Fairies

undated · Centre d'art britannique de Yale

Vanity Fair: Literary. `Our first novelist'. George Meredith. Sept. 24, 1896, Max Beerbohm, 1896

Vanity Fair: Literary. `Our first novelist'. George Meredith. Sept. 24, 1896

1896 · Centre d'art britannique de Yale

"Magnetic, has the power to infect almost everyone with the delight that he takes in himself," George Bernard Shaw, Max Beerbohm, 1905

"Magnetic, has the power to infect almost everyone with the delight that he takes in himself," George Bernard Shaw

1905 · Centre d'art britannique de Yale

Vanity Fair: Literary; 'He is very Affluent', Mr. W.J. Galloway, Max Beerbohm, ca. 1906

Vanity Fair: Literary; 'He is very Affluent', Mr. W.J. Galloway

ca. 1906 · Centre d'art britannique de Yale

Vanity Fair: Literary; 'Magnetic, He has the Power to Infect almost Everyone with the Delight he takes in Himself', Mr. George Bernard Shaw, Max Beerbohm, ca. 1907

Vanity Fair: Literary; 'Magnetic, He has the Power to Infect almost Everyone with the Delight he takes in Himself', Mr. George Bernard Shaw

ca. 1907 · Centre d'art britannique de Yale

Vanity Fair: Literary; 'Four Feathers', A.E.W. Mason, Max Beerbohm, ca. 1908

Vanity Fair: Literary; 'Four Feathers', A.E.W. Mason

ca. 1908 · Centre d'art britannique de Yale

Aussi exposées : Centre d'art britannique de Yale

Page du musée
Peace Embracing Plenty, Peter Paul Rubens, between 1633 and 1634

Peter Paul Rubens

Peace Embracing Plenty, between 1633 and 1634

Inverary Pier, Loch Fyne: Morning, Joseph Mallord William Turner, ca. 1845

Joseph Mallord William Turner

Inverary Pier, Loch Fyne: Morning, ca. 1845

Staffa, Fingal's Cave, Joseph Mallord William Turner, exhibited 1832

Joseph Mallord William Turner

Staffa, Fingal's Cave, exhibited 1832

Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, Joseph Mallord William Turner, 1818

Joseph Mallord William Turner

Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, 1818

Lake Avernus: Aeneas and the Cumaean Sibyl, Joseph Mallord William Turner, between 1814 and 1815

Joseph Mallord William Turner

Lake Avernus: Aeneas and the Cumaean Sibyl, between 1814 and 1815

Mountjoy Blount, Earl of Newport, Sir Anthony Van Dyck, 1637 to 1638

Anthony van Dyck

Mountjoy Blount, Earl of Newport, 1637 to 1638

L'Enfant du Régiment, Sir John Everett Millais, 1854 to 1855

John Everett Millais

L'Enfant du Régiment, 1854 to 1855

Sir Richard Steele's Cottage, Hampstead, John Constable, 1831 to 1832

John Constable

Sir Richard Steele's Cottage, Hampstead, 1831 to 1832