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Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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  1. Collection/
  2. Museum of Modern Art/
  3. Scale Study for Cataract Series
Scale Study for Cataract Series, Bridget Riley, 1967
Bridget Riley, portraitBridget RileyRoyaume-Uni, 1931

Scale Study for Cataract Series

1967 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 16 jours
Source
Le musée
Sur la cartePage du musée

Notice

1967 · à 36 ans
1931aujourd’hui
Numéro d’inventaire
840.1969

Au catalogue

Dessins et aquarellesGouacheArt d’après-guerreXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Bridget Riley

La vie entière
  1. 1965

    “The Responsive Eye” at MoMA

    She takes part in “The Responsive Eye,” curated by William C. Seitz at the Museum of Modern Art in New York, the exhibition that first draws worldwide attention to her work and to the Op Art movement; her painting “Current” (1964) is reproduced on the catalogue cover. Artists had no copyright protection in the United States at the time and commercial concerns exploited her work, which leaves her disillusioned with such exhibitions; legislation was eventually passed in 1967 after an initiative by New York-based artists.

  2. 1968

    The International Prize at the Venice Biennale

    She represents Great Britain at the Venice Biennale, where she is the first British contemporary painter, and the first woman, to be awarded the International Prize for painting.

  3. 1968

    Founding the artists’ organisation SPACE

    With Sedgley and the journalist Peter Townsend she creates the artists’ organisation SPACE (Space Provision Artistic Cultural and Educational), with the goal of providing artists with large, affordable studio space.

  4. 27 juin 1968 – 6 octobre 1968

    Exhibition: 4. documenta

  5. 1969

    Death of Maurice de Sausmarez

    Maurice de Sausmarez dies; his monograph on Riley is published after his death, in 1970. Riley has often cited his role as her early mentor.

Autres œuvres : Bridget Riley

Toutes les œuvres
Deny IV, Bridget Riley, 1966

Deny IV

1966 · Minneapolis Institute of Art

Untitled (Fragment 5) from Fragments, Bridget Riley, 1965

Untitled (Fragment 5) from Fragments

1965 · Museum of Modern Art

Untitled (Fragment 2) from Fragments, Bridget Riley, 1965

Untitled (Fragment 2) from Fragments

1965 · Museum of Modern Art

Untitled (Fragment 3) from Fragments, Bridget Riley, 1965

Untitled (Fragment 3) from Fragments

1965 · Museum of Modern Art

Untitled (Fragment 7) from Fragments, Bridget Riley, 1965

Untitled (Fragment 7) from Fragments

1965 · Museum of Modern Art

Untitled (Fragment 4) from the series Fragments, Bridget Riley, 1965

Untitled (Fragment 4) from the series Fragments

1965 · Museum of Modern Art

Untitled (Fragment 6) from Fragments, Bridget Riley, 1965

Untitled (Fragment 6) from Fragments

1965 · Museum of Modern Art

Untitled (Fragment 1) from Fragments, Bridget Riley, 1965

Untitled (Fragment 1) from Fragments

1965 · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950