ART WIKI
Saul, William Wetmore Story, 1881
William Wetmore Story, portraitWilliam Wetmore StoryÉtats-Unis, 1819–1895

Saul

1881 · Sculpture · 149.7 × 104 cm

Peut-on la voir ?

Inconnu

Où est « Saul » aujourd’hui ? Collection: Smithsonian American Art Museum, Washington. Inconnu.

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
1973.27

Ce qu’elle montre

ReligionBible, O.T.

Au catalogue

SculpturePlâtreImpressionnismeXIXe siècle

Sources

Autres œuvres : William Wetmore Story

Toutes les œuvres
Cleopatra, William Wetmore Story, 1858, carved 1869

Cleopatra

1858, carved 1869 · Metropolitan Museum of Art

The Libyan Sibyl, William Wetmore Story, 1860; carved 1861

The Libyan Sibyl

1860; carved 1861 · Metropolitan Museum of Art

Medea, William Wetmore Story, 1865; carved 1868

Medea

1865; carved 1868 · Metropolitan Museum of Art

Joseph Story (1779-1845), William Wetmore Story, 1846

Joseph Story (1779-1845)

1846 · Non exposée · Musées d'Art de Harvard

James Russell Lowell (1819-1891), William Wetmore Story, 1853

James Russell Lowell (1819-1891)

1853 · Non exposée · Musées d'Art de Harvard

Josiah Quincy (1772-1864), William Wetmore Story, 1860

Josiah Quincy (1772-1864)

1860 · Non exposée · Musées d'Art de Harvard

The Libyan Sibyl, William Wetmore Story, modeled 1861, carved 1868

The Libyan Sibyl

modeled 1861, carved 1868 · Smithsonian American Art Museum

Percy Bysshe Shelley (1792-1822), William Wetmore Story, 1870

Percy Bysshe Shelley (1792-1822)

1870 · Non exposée · Musées d'Art de Harvard

Aussi exposées : Smithsonian American Art Museum

Page du musée
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sur le même thème · Religion

Toutes les œuvres sur ce thème
Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

Non exposée · National Gallery of Art

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

Non exposée · National Gallery of Art

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

Non exposée · National Gallery of Art

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

Non exposée · National Gallery of Art

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

Non exposée · National Gallery of Art

White Crucifixion, Marc Chagall, 1938

Marc Chagall

La Crucifixion blanche, 1938

Non exposée · Art Institute of Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

Non exposée · National Gallery of Art

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

Non exposée · National Gallery of Art