Gustave MoreauFrance, 1826–1898Sappho
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Victoria and Albert Museum
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 9 jours
- Dans cet état depuis
- 25 sept. 2026
- Source
- Les données de collection du musée lui-même
À propos de l’œuvre
This watercolour is part one of three scenes surrounding the suicide of Greek poetess, Sappho, a subject that Moreau frequently represented. It shows the Ancient poetess Sappho on the top of a cliff lamenting over the desertion of her lover, Phaon. The lyre, slung over her shoulder, is the traditionnal attribute of poets. As a precurser to Symbolism, Moreau sought inspiration from mythological, literary, and biblical references.
Victoria and Albert Museum
Notice
- Numéro d’inventaire
- P.11-1934
What it shows
Au catalogue
Sources
- Victoria and Albert Museum: the museum's own open data · obtenue il y a 9 jours
- Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Pendant ce temps, chez Gustave Moreau
La vie entière1859–1888 · Lieu de travail
Paris
1869
The Salon of 1869: “Prometheus” and severe criticism
“Prometheus” received a medal at the Salon of 1869, but criticism in the press was severe, and Moreau did not submit paintings to the Salon again until 1876.
1870–1875
Years without exhibiting: renewing his art
Disturbed by criticism that his work had become formulaic, Moreau stopped exhibiting for a few years and concentrated on renewing his art.
