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  1. Collection/
  2. Minneapolis Institute of Art/
  3. Saint Paul
Saint Paul, Vincenzo Foppa, c. 1460

Saint Paul

c. 1460 · Painting · 54.93 × 30.8 cm

À propos du tableau

Saint Paul and Saint Sirus are panel paintings likely from the same large altarpiece. Panel painting was a lengthy process that required many steps. The panel is a plank of wood that was prepared with many layers of gesso, a glue-size-chalk substance that forms the white base layer of the paintings. Gesso is also used to create the raised areas, or pastiglia, seen in each painting: the top of staff and edges of the headpiece in Saint Sirus and areas on the hilt of the sword in Saint Paul. Red bole, a size-clay mixture, was added to areas that were to be gilded with gold leaf. The final step was painting the figures in numerous layers of egg tempera, a paint made of ground pigments, water, and egg yolk.

Minneapolis Institute of Art

Notice

c. 1460
14301515
Numéro d’inventaire
66.37.2

Autres œuvres : Vincenzo Foppa

Toutes les œuvres

Dans la même salle · G343, Minneapolis Institute of Art

Page du musée
VVincenzo FoppaItalie, 1430–1515

Peut-on la contempler ?

Oui, elle reçoit

Minneapolis Institute of Art

Minneapolis, États-Unis

SalleG343

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

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Source
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Au catalogue

PeinturesTemperaPeinture italienneRenaissanceXVe siècleItalie

Sources

  • Minneapolis Institute of Art
  • Image : Minneapolis Institute of Art — public domain
Saint Sirus, Vincenzo Foppa, c. 1460

Saint Sirus

c. 1460 · Minneapolis Institute of Art

Madonna and Child, Vincenzo Foppa, ca. 1480

Madonna and Child

ca. 1480 · Metropolitan Museum of Art

Saint Bernardino of Siena, Vincenzo Foppa, c. 1495/1500

Saint Bernardino of Siena

c. 1495/1500 · National Gallery of Art

St Stephen (wing of a polyptych), Vincenzo Foppa, 15th century

St Stephen (wing of a polyptych)

15th century · Non exposée · Musée de l'Ermitage

Archangel Michael (wing of a polyptych), Vincenzo Foppa, 15th century

Archangel Michael (wing of a polyptych)

15th century · Non exposée · Musée de l'Ermitage

Saint Anthony of Padua, Vincenzo Foppa, c. 1495/1500

Saint Anthony of Padua

c. 1495/1500 · Non exposée · National Gallery of Art

The Adoration of the Kings, Vincenzo Foppa, c. 1500

The Adoration of the Kings

c. 1500 · National Gallery

La Vierge et l'Enfant entourés de six anges, Vincenzo Foppa, 4e quart 15e siècle

La Vierge et l'Enfant entourés de six anges

4e quart 15e siècle · Musée des Beaux-Arts de Dijon

Saint Romuald, Fra Angelico, c. 1438-1442

Fra Angelico

Saint Romuald, c. 1438-1442

The Nativity, Fra Angelico, c. 1425

Fra Angelico

The Nativity, c. 1425

Standing Madonna with Child, Nardo di Cione, c. 1350–54

Nardo di Cione

Standing Madonna with Child, c. 1350–54

Madonna and Child, Giovanni Battista Cima da Conegliano, probably between 1500 and 1504

Cima da Conegliano

Madonna and Child, probably between 1500 and 1504

Saint Sirus, Vincenzo Foppa, c. 1460

Vincenzo Foppa

Saint Sirus, c. 1460

Madonna and Child, Segna di Buonaventura, c. 1310

Segna di Buonaventura

Madonna and Child, c. 1310

The Resurrection of Christ, Giovanni Dal Ponte, 15th century

Giovanni Dal Ponte

The Resurrection of Christ, 15th century

Saint Bartholomew and Saint Anthony Abbot, Mariotto di Nardo, 1408

Mariotto di Nardo

Saint Bartholomew and Saint Anthony Abbot, 1408