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Saint Andrew, Pompeo Girolamo Batoni, 1740–43
Pompeo Batoni, portraitPompeo BatoniItalie, 1708–1787

Saint Andrew

1740–43 · Painting

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Où est « Saint Andrew » aujourd’hui ? Art Institute of Chicago, Salle 217, Chicago. Oui, exposée actuellement. Vérifié 29 septembre 2026.

Art Institute of Chicago

Chicago, États-Unis

Salle217

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À propos du tableau

One of a series of religious paintings commissioned by Pompeo Batoni’s most dedicated patron, Count Cesare Merenda of Forlì, this painting depicts Andrew the Apostle carrying his distinctive X-shaped cross. As the story goes, Saint Andrew welcomed death by crucifixion because it brought him closer to Christ, calling out in his final moments, “Oh Cross, I have desired to embrace you.” Capturing the emotional drama of this moment, Batoni painted the saint with a somber expression, tenderly and affectionately clutching his instrument of torture.

Art Institute of ChicagoCC BY 4.0

Notice

Numéro d’inventaire
1960.50

Ce qu’elle montre

BiblicalNew TestamentHommeChristianityChristian subjectsSaints

Au catalogue

PeinturesHuilePeinture italienneRococoXVIIIe siècleItalie

Sources

Autres œuvres : Pompeo Batoni

Toutes les œuvres
Pope Benedict XIV Presenting the Encyclical Ex Omnibus to the Comte de Stainville, Later Duc de Choiseul, Pompeo Girolamo Batoni, 1757

Pope Benedict XIV Presenting the Encyclical Ex Omnibus to the Comte de Stainville, Later Duc de Choiseul

1757 · Minneapolis Institute of Art

La Vierge de l'Annonciation, Batoni, Pompeo, 2e quart du XVIIIe siècle (1725 - 1750)

La Vierge de l'Annonciation

2e quart du XVIIIe siècle (1725 - 1750) · Musée du Louvre

Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa, Pompeo Batoni, 1736–1737

Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa

1736–1737 · J. Paul Getty Museum

Portrait of John Woodyeare, Pompeo Girolamo Batoni, 1750

Portrait of John Woodyeare

1750 · Minneapolis Institute of Art

Portrait de Charles John Crowle (1738-1811), Batoni, Pompeo, 3e quart du XVIIIe siècle (1750 - 1775)

Portrait de Charles John Crowle (1738-1811)

3e quart du XVIIIe siècle (1750 - 1775) · Musée du Louvre

Portrait of a Young Man, Pompeo Batoni, ca. 1760–65

Portrait of a Young Man

ca. 1760–65 · Metropolitan Museum of Art

Diana and Cupid, Pompeo Batoni, 1761

Diana and Cupid

1761 · Metropolitan Museum of Art

Atis and Galathea, Pompeo Batoni, 1761

Atis and Galathea

1761 · Nationalmuseum

Dans la même salle · Gallery 217, Art Institute of Chicago

Page du musée
Boy on a Ram, Francisco José de Goya y Lucientes, 1786–87

Francisco de Goya

Boy on a Ram, 1786–87

The Garden of Palazzo Contarini dal Zaffo, Francesco Guardi, Late 1770s

Francesco Guardi

The Garden of Palazzo Contarini dal Zaffo, Late 1770s

Pastoral Scene, Giovanni Battista Piazzetta, 1740

Giovanni Battista Piazzetta

Pastoral Scene, 1740

Portrait of Cardinal Zelada, Anton Raphael Mengs, 1773

Anton Raphael Mengs

Portrait of Cardinal Zelada, 1773

The Grand Canal, Venice, Francesco Guardi, c. 1760

Francesco Guardi

The Grand Canal, Venice, c. 1760

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760

Bernardo Bellotto

View of Pirna with the Fortress of Sonnenstein, c. 1760

Head of a Philosopher, Giovanni Domenico Tiepolo, 1758/64

Giovanni Domenico Tiepolo

Head of a Philosopher, 1758/64

The Beggar Boy (The Young Pilgrim), Giovanni Battista Piazzetta, 1738/39

Giovanni Battista Piazzetta

The Beggar Boy (The Young Pilgrim), 1738/39

Sur le même thème · Biblical

Toutes les œuvres sur ce thème
The Crucifixion, Francisco de Zurbarán, 1627

Francisco de Zurbarán

Le Christ en croix, 1627

Non exposée · Art Institute of Chicago

The Assumption of the Virgin, Domenico Theotokópoulos, called El Greco, 1577–79

Domenico Theotokópoulos, called El Greco

The Assumption of the Virgin, 1577–79

Art Institute of Chicago

The Beheading of Saint John the Baptist, Giovanni di Paolo, c. 1455

Giovanni di Paolo

The Beheading of Saint John the Baptist, c. 1455

Art Institute of Chicago

The Resurrection, Cecco del Caravaggio, c. 1619-20

Cecco del Caravaggio

The Resurrection, c. 1619-20

Art Institute of Chicago

The Annunciation, Alessandro Vittoria, c. 1583

Alessandro Vittoria

The Annunciation, c. 1583

Art Institute of Chicago

The Nativity, Fra Bartolommeo, 1504/07

Fra Bartolommeo

The Nativity, 1504/07

Art Institute of Chicago

The Annunciation, Jean Hey,, 1490–95

Jean Hey,

The Annunciation, 1490–95

Art Institute of Chicago

The Denial of Saint Peter, Hendrick Terbrugghen, c. 1626

Hendrick ter Brugghen

The Denial of Saint Peter, c. 1626

Art Institute of Chicago