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  1. Collection/
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  3. Roadside Stand Near Birmingham
Roadside Stand Near Birmingham, Walker Evans, 1936, printed c. 1962
Walker Evans, portraitWalker EvansÉtats-Unis, 1903–1975

Roadside Stand Near Birmingham

1936, printed c. 1962 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1936, printed c. 1962
19031975
Numéro d’inventaire
1962.166

Ce qu’elle montre

Collected by Hugh EdwardsDocumentary

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleÉtats-Unis

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder

Pendant ce temps, chez Walker Evans

La vie entière
  1. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  2. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

  3. 1938

    “Walker Evans: American Photographs” at MoMA

    The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.

  4. until 1938

    The end of his FSA work

    Evans continues to work for the Farm Security Administration until 1938.

  5. 1938–1939

    Working with and mentoring Helen Levitt

    In 1938 and 1939 Evans works with and mentors Helen Levitt.

  6. 1941

    “Let Us Now Praise Famous Men” is published

    Evans's photographs and Agee's text detailing the duo's stay with three white tenant families in southern Alabama during the Great Depression are published as the groundbreaking book “Let Us Now Praise Famous Men”. Its detailed account of three farming families paints a deeply moving portrait of rural poverty.

Autres œuvres : Walker Evans

Toutes les œuvres
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · Museum of Modern Art

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Non exposée · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Non exposée · National Gallery of Art

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Non exposée · National Gallery of Art

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Non exposée · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Non exposée · National Gallery of Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Non exposée · Museum of Modern Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Non exposée · Museum of Modern Art

Sous le même toit : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sur le même thème · Collected by Hugh Edwards

Toutes les œuvres sur ce thème
Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

Walker Evans

Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

Non exposée · Art Institute of Chicago

Fourth of July, Jay, New York, Robert Frank, 1954

Robert Frank

Fourth of July, Jay, New York, 1954

Non exposée · Art Institute of Chicago

Portrait of Annette Rosenshine, Ansel Adams, 1932

Ansel Adams

Portrait of Annette Rosenshine, 1932

Non exposée · Art Institute of Chicago

Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

Elizabeth Timberman

Train Interior, Oaxaca, Mexico, 1940/59

Non exposée · Art Institute of Chicago

Ruined Mosque Near Philæ, Francis Frith, 1857

Francis Frith

Ruined Mosque Near Philæ, 1857

Non exposée · Art Institute of Chicago

City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

Francis Frith

City Wall and Mosque of Omar, Jerusalem, 1857

Non exposée · Art Institute of Chicago

Late Afternoon Shadows, Johan Hagemeyer, 1922

Johan Hagemeyer

Late Afternoon Shadows, 1922

Non exposée · Art Institute of Chicago

Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

Francis Frith

Interior Court of Medinet Habbo, Thebes, 1857

Non exposée · Art Institute of Chicago