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  1. Collection/
  2. Musées d'Art de Harvard/
  3. Richard von Kühlmann
Richard von Kühlmann, Max Liebermann, 1920
Max Liebermann, portraitMax LiebermannAllemagne, 1847–1935

Richard von Kühlmann

1920 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Musées d'Art de Harvard

Cambridge, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
27 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1920 · à 73 ans
18471935
Numéro d’inventaire
M15538

Au catalogue

EstampesEau-forteModernismeXXe siècleAllemagne

Sources

  • Musées d'Art de Harvard
  • Image : Musées d'Art de Harvard — © President and Fellows of Harvard College

Pendant ce temps, chez Max Liebermann

La vie entière
  1. 18 January 1918

    The Max Liebermann Cabinet opens at the National Gallery

    The cabinet promised by the director Ludwig Justi opened on 18 January; the Minister of Education, Friedrich Schmidt-Ott, gave the inauguration speech.

  2. November 1918

    The November Revolution: machine guns in his house

    Monarchists installed machine guns in Liebermann's house on Pariser Platz, so revolutionary soldiers stormed the palace; when a bullet passed through the wall into the drawing room, the defenders surrendered. Liebermann brought his valuable picture collection to safety and moved with his wife into their daughter's house for a few weeks.

  3. 1920

    Elected president of the Academy of Arts

    After the war and revolution Liebermann took over the Academy and tried to unite the various currents beneath its roof, Expressionism included: under him Max Pechstein, Karl Hofer, Heinrich Zille, Otto Dix and Karl Schmidt-Rottluff were admitted. He gave it a democratic structure and a free system of education.

  4. 1920s

    Defends Otto Dix's “Trench”

    Liebermann supported Dix's emotional depiction of the horror of the world war, which was accused of being tendentious, calling it one of the most important works of the post-war period. At the same time, despite his basically tolerant views, he polemicized against Ludwig Justi, who brought Expressionists to the National Gallery.

  5. 1922

    The murder of Walther Rathenau

    The murder of his relative and companion by right-wing activists deeply disturbed Liebermann. Around then he produced lithographs for Heinrich Heine's “Rabbi von Bacharach”, numerous paintings of his garden, and drawings in memory of fallen Jewish soldiers at the front.

Autres œuvres : Max Liebermann

Toutes les œuvres
The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · Metropolitan Museum of Art

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Musées d'Art de Harvard

Self-Portrait, Max Liebermann

Self-Portrait

Non exposée · National Gallery of Art

Hyman Marzynski, Max Liebermann

Hyman Marzynski

Non exposée · National Gallery of Art

Cafe, Max Liebermann

Cafe

Non exposée · National Gallery of Art

Portrait of a Man, Max Liebermann

Portrait of a Man

Non exposée · National Gallery of Art

Karl Legien, Max Liebermann

Karl Legien

Non exposée · National Gallery of Art

Portrait, Max Liebermann

Portrait

Non exposée · National Gallery of Art

Sous le même toit : Musées d'Art de Harvard

Page du musée
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Dwarpalika (Temple Guardian), Sneha Shrestha, 2023

Sneha Shrestha

Dwarpalika (Temple Guardian), 2023

The Eternal Pond of the Universe, Bingyi 冰逸, 2022-2024

Bingyi 冰逸

The Eternal Pond of the Universe, 2022-2024

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE