ART WIKI 32 963 en salle

Carte Collection Artistes Musées Expositions Journal

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Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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Accueil Carte Catalogue

Collection
National Gallery of Art
Richard Mentor Johnson

Richard Mentor Johnson, John Neagle, 1843

Richard Mentor Johnson

1843 · Painting

Notice

1843 · à 47 ans

17961865

Numéro d’inventaire: 2015.19.1

Autres œuvres : John Neagle

Toutes les œuvres

Sous le même toit : National Gallery of Art

Sur le même thème · Waist-length facing front

Toutes les œuvres sur ce thème

John Neagle, portrait

John NeagleÉtats-Unis, 1796–1865

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 3 jours
Dans cet état depuis: 19 août 2026
Source: Le musée

Sur la carte Page du musée

Ce qu’elle montre

Waist-length facing front Johnson, Richard Mentor

Au catalogue

Peintures Huile Peinture américaine Romantisme Réalisme XIXe siècle American Realist Portrait

Sources

National Gallery of Art
Image : National Gallery of Art — Museum open access

Portrait of a Lady, Attributed to John Neagle, c. 1825/1830

Portrait of a Lady

c. 1825/1830 · Non exposée · National Gallery of Art

The Reverend John Albert Ryan, John Neagle, 1825/1829

The Reverend John Albert Ryan

1825/1829 · Non exposée · National Gallery of Art

Amy Taylor Dickson (Mrs. John Dickson), John Neagle, c. 1835

Amy Taylor Dickson (Mrs. John Dickson)

c. 1835 · Non exposée · National Gallery of Art

Thomas W. Dyott, John Neagle, c. 1836

Thomas W. Dyott

c. 1836 · Non exposée · National Gallery of Art

Colonel Augustus James Pleasonton, John Neagle, 1846

Colonel Augustus James Pleasonton

1846 · Non exposée · National Gallery of Art

Julia Dodd (Mrs. George Dodd), John Neagle, 1852

Julia Dodd (Mrs. George Dodd)

1852 · Non exposée · National Gallery of Art

George Dodd, John Neagle, 1852

George Dodd

1852 · Non exposée · National Gallery of Art

Salvator Rosa, John Neagle, 18th century

Salvator Rosa

18th century · Non exposée · Musées d'Art de Harvard

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Allen Ginsberg, 1984, printed 1992

Allen Ginsberg

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, 1984, printed 1992

Non exposée · National Gallery of Art

William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., Allen Ginsberg, 1953, printed later

Allen Ginsberg

William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., 1953, printed later

Non exposée · National Gallery of Art

Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., Allen Ginsberg, 1988, printed 1995

Allen Ginsberg

Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., 1988, printed 1995

Non exposée · National Gallery of Art

Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, Allen Ginsberg, 1963, printed later

Allen Ginsberg

Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, 1963, printed later

Non exposée · National Gallery of Art

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., 1986, printed 1991

Non exposée · National Gallery of Art

Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., Allen Ginsberg, 1953, printed 1995

Allen Ginsberg

Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., 1953, printed 1995

Non exposée · National Gallery of Art

Lawrence Ferlinghetti taking morning expresso at Café Puccini a block or so up Columbus from his City Lights Books, March 16, 1985., Allen Ginsberg, 1985, printed 1991

Allen Ginsberg

Lawrence Ferlinghetti taking morning expresso at Café Puccini a block or so up Columbus from his City Lights Books, March 16, 1985., 1985, printed 1991

Non exposée · National Gallery of Art

Ai Wei Wei sometime around Tompkins Square Riots, Police cars by the Park, Avenue A., Allen Ginsberg, 1988

Allen Ginsberg

Ai Wei Wei sometime around Tompkins Square Riots, Police cars by the Park, Avenue A., 1988

Non exposée · National Gallery of Art