ART WIKI32 963 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. Victoria and Albert Museum/
  3. Relief depicting Saint Paul
Relief depicting Saint Paul, ca. 1160

Relief depicting Saint Paul

ca. 1160 · Relief · 83 × 35 cm

À propos de la sculpture

The relief together with A.3-1990 comes from the Augustinian priory at Ivychurch, Wiltshire. Their exact use is unclear: Zarnecki has suggested that the works may have formed part of a screen or may have been placed on the piers of a cloister, while Williamson has proposed that they may have been used to adorn the façade of the Abbey. The reliefs were later inserted into the wall of Ivychurch House, the post-dissoloution succesor to the priory.

St Peter bears his attributes as a bishop: the pallium (worn around the neck) and a mitre. The pallium was bestowed by the pope. The crosier represented pastoral

responsibility. The keys signified that entrance to Heaven relied on obedience to the church. The figure probably came from a screen in the Augustinian priory at Ivychurch, Wiltshire.

Lire la suite

Peter became leader of the twelve Apostles and was the closest to Christ. When paired with Saint Paul as this figure was at Ivychurch Priory, the two represent the pillars of the church.

Victoria and Albert Museum

Notice

Numéro d’inventaire
A.3-1990

Dans la même salle · Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery, Victoria and Albert Museum

Page du musée

Sur le même thème · Books

Toutes les œuvres sur ce thème

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleMedieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

BooksRobeBeltBeardPaul (Saint)

Au catalogue

SculpturePierreMoyen ÂgeAvant 1400RomanesqueIvychurch

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Virgin and Child, ca. 1220-1230

Virgin and Child, ca. 1220-1230

Judas at the Last Supper, ca. 1200

Judas at the Last Supper, ca. 1200

The Deposition of Christ, ca. 1200

The Deposition of Christ, ca. 1200

The Ascension, ca. 1180

The Ascension, ca. 1180

Virgin and Child, 1170-80

Virgin and Child, 1170-80

Relief of Saint Peter, ca. 1160

Relief of Saint Peter, ca. 1160

Virgin and Child, ca. 1160-1180

Virgin and Child, ca. 1160-1180

The Ascension, ca. 1160-70

The Ascension, ca. 1160-70

Oleanders, Vincent van Gogh, 1888

Vincent van Gogh

Oleanders, 1888

Metropolitan Museum of Art

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), Vincent van Gogh, 1888–89

Vincent van Gogh

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), 1888–89

Metropolitan Museum of Art

Faust, Rembrandt van Rijn, c. 1652

Rembrandt van Rijn

Faust, c. 1652

Non exposée · National Gallery of Art

Lieven Willemsz van Coppenol: the Smaller Plate, Rembrandt van Rijn, c. 1658

Rembrandt van Rijn

Lieven Willemsz van Coppenol: the Smaller Plate, c. 1658

Non exposée · National Gallery of Art

Student at a Table by Candlelight, Rembrandt van Rijn, c. 1642

Rembrandt van Rijn

Student at a Table by Candlelight, c. 1642

Non exposée · National Gallery of Art

Cornelis Claesz Anslo, Rembrandt van Rijn, 1641

Rembrandt van Rijn

Cornelis Claesz Anslo, 1641

Non exposée · National Gallery of Art

Cornelis Claesz Anslo, Rembrandt van Rijn, 1641

Rembrandt van Rijn

Cornelis Claesz Anslo, 1641

Non exposée · National Gallery of Art

Saint Francis beneath a Tree Praying, Rembrandt van Rijn, 1657

Rembrandt van Rijn

Saint Francis beneath a Tree Praying, 1657

Non exposée · National Gallery of Art