Река Вятка, Viktor Vasnetsov, 1877-1878
Viktor Vasnetsov, portraitViktor Vasnetsov1848–1926

Река Вятка

1877-1878 · Painting · 25 × 46 cm

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Source
Le musée

À propos du tableau

Selon le musée — en russe

Изображение реки среди лугов. На втором плане пашня, далее луг со стадом и лес.

Musée des Beaux-Arts de Riazan

Notice

Numéro d’inventaire
Ж-751

Au catalogue

Sources

  • Le Catalogue national du fonds muséal de Russie
  • Image : Musée des Beaux-Arts de Riazan — © Рязанский государственный областной художественный музей им. И. П. Пожалостина · Госкаталог музейного фонда РФ

Pendant ce temps, chez Viktor Vasnetsov

La vie entière
  1. 1873–1875

    He leaves the Academy before graduating

    In 1873, a year before the end of the course, he almost stopped attending the Academy and went only to Chistyakov’s studio: Chistyakov told him he had already got from the Academy all it could give, and Kramskoi advised the same; on 4 (16) February 1875 he was formally discharged, receiving a certificate that listed two small silver medals and one large one.

  2. 1876–1877

    Mamontov’s letter, homesickness and the first sketch for the “Bogatyrs”

    In Polenov’s Paris studio he and Repin re-read a letter from Savva Mamontov calling the artists to Moscow; the letter sharpened his homesickness (“Alone, alone and alone!”), and it was there that the first painted sketch of the “Bogatyrs” was made.

  3. 1877

    Wedding to Alexandra Ryazantseva

    Before leaving for Paris he had proposed to Ryazantseva; the wedding took place in November 1877 in the Church of Saints Peter and Paul of the Semyonovsky-Alexandrovsky military hospital in St Petersburg.

  4. 1878

    He moves to Moscow, the city of his life’s work

    In 1878, his resolve strengthened by Mamontov’s letter, he moved to Moscow, the city to which most of his creative life would be tied: he settled in a small flat in 3rd Ushakovsky Lane near Ostozhenka, walked the city for hours admiring the Kremlin and St Basil’s, and until 1885 the family changed rented flats in Moscow six times.

  5. 1878–1880

    Mamontov’s commission for the Donetsk Railway

    Repin brought him to the house of Savva Mamontov, who commissioned three fairy-tale pictures for the boardroom of the Donetsk Railway — “The Battle of the Russians with the Scythians”, “The Flying Carpet” and “The Three Princesses of the Underground Kingdom” (the princesses of gold, precious stones and coal); the princess Coal, a modest dark-haired girl in a black dress, was especially successful.

  6. 1880

    His first visit to Mamontov’s Abramtsevo

    In June 1880, with his brother Apollinary, he first came to Abramtsevo at Savva Mamontov’s invitation and joined the circle of Repin, Polenov, Serov and other artists, where he became one of the leaders of the national-romantic current.

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