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  1. Collection/
  2. National Gallery of Art/
  3. Rearing Stallion
Rearing Stallion, Alexander Calder, c. 1928

Rearing Stallion

c. 1928 · Sculpture

Notice

c. 1928
18981976
Numéro d’inventaire
1996.120.22

Pendant ce temps, chez Alexander Calder

La vie entière
  1. July 1926

    To Paris as a crew member of the cargo steamer Galileo

    In July 1926 Calder sets out for Paris as a crew member of the British cargo steamship Galileo as far as Hull, continuing by train and boat. In Paris he enrols at the Académie de la Grande Chaumière and sets up a studio at 22 rue Daguerre in Montparnasse, later moving to 7 villa Brune in the same district.

  2. 1927

    His first solo exhibition, in Paris

    Calder’s first solo exhibition takes place in 1927 at the gallery of Jacques Seligmann in Paris.

  3. 1927

    Among the Parisian avant-garde

    In 1927 Calder settles in Paris and grows close to the avant-garde, including Cocteau, Man Ray, Mondrian, Desnos and Le Corbusier; he befriends Fernand Léger, Jean Arp and Marcel Duchamp, and Joan Miró becomes a friend for life.

  4. 1929

    A show of wire sculptures at Galerie Billiet

    Calder invented wire sculpture, or “drawing in space”, and in 1929 he holds in Paris, at Galerie Billiet, his first solo show of such works; the preface to the catalogue is written by the painter Jules Pascin, a friend from the Montparnasse cafés. “Hi!”, an early example of his wire sculpture, is in the collection of the Honolulu Museum of Art.

  5. June 1929

    Meets Louisa James on a steamship

    In June 1929, travelling by boat from Paris to New York, Calder meets his future wife, Louisa James (1905–1996), a daughter of Edward Holton James and grandniece of the author Henry James and the philosopher William James. They will marry in 1931 and stay together for the rest of his life; they will have two daughters.

Autres œuvres : Alexander Calder

Toutes les œuvres

Dans la même salle · ET-606, National Gallery of Art

Page du musée

Sur le même thème · Mammal

Toutes les œuvres sur ce thème
  • 1930

    In Mondrian’s studio: the shock of abstraction

    A visit to Piet Mondrian’s studio in 1930, with its environment-as-installation, “shocks” Calder into fully embracing abstract art, toward which he had already been tending. He abandons the static quality of Mondrian’s Neo-Plasticism and sets himself the task of creating dynamic systems that reflect the continuous changeability of nature; another stimulus toward kinetic art was a planetarium that showed the movements of celestial bodies.

  • Alexander Calder, portraitAlexander CalderÉtats-Unis, 1898–1976

    Peut-on la contempler ?

    Oui, elle reçoit

    National Gallery of Art

    Washington, États-Unis

    Salle606 · Bâtiment est, tour

    Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

    Vérifié
    il y a 3 jours
    Dans cet état depuis
    19 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    MammalChevalStallion

    Au catalogue

    SculptureBoisModernismeXXe siècleAmerican

    Sources

    • National Gallery of Art
    • Image : National Gallery of Art — © the artist or rights holder
    Sow, Alexander Calder, 1928

    Sow

    1928 · Museum of Modern Art

    Cow, Alexander Calder, 1929

    Cow

    1929 · National Gallery of Art

    The Acrobats, Alexander Calder, 1929

    The Acrobats

    1929 · National Gallery of Art

    Cow, Alexander Calder, 1929

    Cow

    1929 · Museum of Modern Art

    Ruby-Eyed, Alexander Calder, 1936

    Ruby-Eyed

    1936 · National Gallery of Art

    Gibraltar, Alexander Calder, 1936

    Gibraltar

    1936 · Museum of Modern Art

    Untitled (The McCausland Mobile), Alexander Calder, 1937

    Untitled (The McCausland Mobile)

    1937 · National Gallery of Art

    Spider, Alexander Calder, 1939

    Spider

    1939 · Museum of Modern Art

    Flight of the Dragonfly in Front of the Sun, Joan Miró, 1968

    Joan Miró

    Flight of the Dragonfly in Front of the Sun, 1968

    Model for East Building Mobile, Alexander Calder, 1972

    Alexander Calder

    Model for East Building Mobile, 1972

    Black Camel with Blue Head and Red Tongue, Alexander Calder, 1971

    Alexander Calder

    Black Camel with Blue Head and Red Tongue, 1971

    Crinkly Worm, Alexander Calder, 1971

    Alexander Calder

    Crinkly Worm, 1971

    Blue Elephant with Red Ears, Alexander Calder, 1971

    Alexander Calder

    Blue Elephant with Red Ears, 1971

    Red and Yellow Bull with Blue Head, Alexander Calder, 1971

    Alexander Calder

    Red and Yellow Bull with Blue Head, 1971

    Red Cow with Black Head, Alexander Calder, 1971

    Alexander Calder

    Red Cow with Black Head, 1971

    La vache, Alexander Calder, 1970

    Alexander Calder

    La vache, 1970

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

    Pablo Picasso

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

    Non exposée · National Gallery of Art

    Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

    Pablo Picasso

    Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

    Non exposée · National Gallery of Art

    Man with a Dog (L'homme au chien), Pablo Picasso, 1915, reprinted c. 1947

    Pablo Picasso

    Man with a Dog (L'homme au chien), 1915, reprinted c. 1947

    Non exposée · National Gallery of Art

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906, published 1913

    Pablo Picasso

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906, published 1913

    Non exposée · National Gallery of Art

    L'Ane (The Donkey), Pablo Picasso, 1941/1942

    Pablo Picasso

    L'Ane (The Donkey), 1941/1942

    Non exposée · National Gallery of Art

    Sculptor at Rest III (Le repos du sculpteur III), Pablo Picasso, 1933

    Pablo Picasso

    Sculptor at Rest III (Le repos du sculpteur III), 1933

    Non exposée · National Gallery of Art

    Family of Acrobats with Macaque (La famille de saltimbanques au macaque), Pablo Picasso, 1905

    Pablo Picasso

    Family of Acrobats with Macaque (La famille de saltimbanques au macaque), 1905

    Non exposée · National Gallery of Art

    Pique I, Pablo Picasso, 1959

    Pablo Picasso

    Pique I, 1959

    Non exposée · National Gallery of Art