Portret Victor Hugo

1879–1882

Working at the Sèvres manufactory

Carrier-Belleuse, director of the Sèvres manufactory since 1875, invited Rodin to join him; the work paid well and Rodin stayed until 1882. In 1881, in gratitude, he sculpted a bust of Carrier-Belleuse.

1882

“St. John the Baptist” at the Royal Academy

A bust of St. John the Baptist, a version of the statue bought by the French government, was shown with success at the Royal Academy. A year earlier Henley, who had become editor of the Magazine of Art, had published several articles on Rodin there.

1883

Meets Camille Claudel

Standing in for Alfred Boucher, who was away, Rodin supervised his students' course and met the eighteen-year-old Camille Claudel. She became his assistant, model, lover and creative rival.

1884

Commission for “The Burghers of Calais”

Rodin pursued the commission for a monument to the town of Calais, but instead of a lone hero, Eustache de Saint-Pierre, he conceived six citizens, each with his own emotions. A year later the committee was unimpressed with his progress; Rodin was ready to abandon the project rather than change his design, and the town told him to carry on.

1885

Camille Claudel: assistant and lover

From 1885 Claudel worked as an assistant in Rodin's studio and posed for him, and soon they became lovers. The affair lasted nine years, and Rodin did not break with Rose Beuret, who knew her role as “the other woman”.

1886

Commission for the Victor Hugo monument for the Panthéon

Rodin showed Hugo as a mighty nude titan among three muses; the figure was judged unsuitable for the Panthéon and the project was rejected. In 1890 he removed the muses, and in 1909 the monument was set up in the garden of the Palais-Royal.