ART WIKI
Plovers, Rocks, and Waves, Suzuki Kiitsu, first half 19th century
Suzuki KiitsuJapon, 1796–1858

Plovers, Rocks, and Waves

first half 19th century · Painting

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Minneapolis Institute of Art

Minneapolis, États-Unis

SalleG219

Présentée au public.

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À propos du tableau

The motif of plovers (chidori), flying in a long row over the waves, or looking for food where the sea leaves a line of foam on the sand, has often inspired Japanese artists. This bird is an auspicious symbol associated with longevity because its cry, “chiyo, ” is a homonym for “one thousand generations.” The association of chidori with long life goes back as far as the early 10th century, appearing in the poetry anthology Kokinwakashū, and became a popular motif in various media such as ceramics, textiles, lacquer, and metalwork.

Minneapolis Institute of Art

Notice

Numéro d’inventaire
2013.30.4

Au catalogue

PeinturesEncrePeinture japonaiseNéoclassicismeRomantismeXIXe siècleRinpaJapon

Sources

Autres œuvres : Suzuki Kiitsu

Toutes les œuvres
Mount Fuji and the Pines at Miho, Suzuki Kiitsu, ca. 1845-1858

Mount Fuji and the Pines at Miho

ca. 1845-1858 · Minneapolis Institute of Art

Eight Fans of Seasonal Flowers and Plants, Suzuki Kiitsu 鈴木其一, c. 1828–58

Eight Fans of Seasonal Flowers and Plants

c. 1828–58 · Musées d'Art de Harvard

Pink and White Lotus, Suzuki Kiitsu 鈴木其一, c. 1850-58

Pink and White Lotus

c. 1850-58 · Musées d'Art de Harvard

Flowers and Bird, Suzuki Kiitsu, 18th century

Flowers and Bird

18th century · Non exposée · Minneapolis Institute of Art

Waaierblad met een dichteres op een berg, Suzuki Kiitsu, 1800 - 1900

Waaierblad met een dichteres op een berg

1800 - 1900 · Rijksmuseum Amsterdam

Fish Trap, Waves, Rocks [one of a pair], Suzuki Kiitsu, first half 19th century

Fish Trap, Waves, Rocks [one of a pair]

first half 19th century · Non exposée · Minneapolis Institute of Art

Mountains [center from the triptych Three Evening Scenes], Suzuki Kiitsu, first half 19th century

Mountains [center from the triptych Three Evening Scenes]

first half 19th century · Non exposée · Minneapolis Institute of Art

Shō-Kannon, Suzuki Kiitsu, first half 19th century

Shō-Kannon

first half 19th century · Non exposée · Minneapolis Institute of Art

Dans la même salle · G219, Minneapolis Institute of Art

Page du musée
Under the Holy Mountain, Saitō Bishū, 1988

Saitō Bishū

Under the Holy Mountain, 1988

Giving Birth (Large Brown Cicada), Kobayashi Senpo, 1979

Kobayashi Senpo

Giving Birth (Large Brown Cicada), 1979

Dutchman, one of the Southern Barbarians, Saitō Bishū, 1979

Saitō Bishū

Dutchman, one of the Southern Barbarians, 1979

Swan, Saitō Bishū, 1973

Saitō Bishū

Swan, 1973

Centaur, Saitō Bishū, 1970s–80s

Saitō Bishū

Centaur, 1970s–80s

Three Swans, Saitō Bishū, 1970s–80s

Saitō Bishū

Three Swans, 1970s–80s

Up in a Tree, Saitō Bishū, 1970s–80s

Saitō Bishū

Up in a Tree, 1970s–80s

Prey (Owl), Kobayashi Senpo, 1970s–80s

Kobayashi Senpo

Prey (Owl), 1970s–80s