Plane Filling I, M.C. Escher, 1951
Maurits Cornelis Escher, portraitMaurits Cornelis EscherPays-Bas, 1898–1972

Plane Filling I

1951 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée

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Numéro d’inventaire
1964.8.737

Ce qu’elle montre

Au catalogue

Sources

Pendant ce temps, chez Maurits Cornelis Escher

La vie entière
  1. 1946–1951

    Mezzotint: a brief experiment

    In 1946 Escher became interested in intaglio printing, but it took too much time: until 1951 he made no more than seven mezzotint prints and never returned to intaglio, preferring tonal contrast to linear outline. These few works are considered masterpieces of the technique.

  2. 1949

    Rotterdam: a large exhibition of graphic work

    In 1949 Escher and two other artists held a large exhibition of their graphic work in Rotterdam; several works were sold, and the artists explained how they were made — Escher, for instance, said that for “Reptiles” he modelled a small plasticine figure and moved it across a table.

  3. 1950

    The first solo exhibition in the USA

    In 1950 Escher’s first solo exhibition in the USA was held in Washington; sales of his work in America rose sharply — in the mid-1950s he sold 150 prints through a Washington dealer for $2,125. In the 1950s Escher also became a popular public lecturer.

  4. 1951

    “Time” and “Life”: worldwide fame

    After two articles Escher became known in the USA: in late 1950 Israel Shenker, a correspondent of the British magazine “The Studio”, interviewed him (published in February 1951), and then “Time” (2 April) and “Life” (7 May) wrote about him. Popular in Europe but little known in America, the artist gained worldwide fame from that moment.

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