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Placards/Posters/Plakate, Josef Albers, 1934
Josef Albers, portraitJosef AlbersÉtats-Unis, 1888–1976

Placards/Posters/Plakate

1934 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 8 jours
Source
Le musée
Sur la cartePage du musée

Notice

1934 · à 46 ans
18881976
Numéro d’inventaire
91.2010

Au catalogue

EstampesLinogravureModernismeXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Josef Albers

La vie entière
  1. 1933

    The Bauhaus closes; emigration to the United States

    When the Bauhaus closed under Nazi pressure in 1933, Albers was among the first of its teachers to emigrate to the United States. The architect Philip Johnson, then a curator at the Museum of Modern Art, arranged for him to be offered the headship of a new art school, Black Mountain College in North Carolina.

  2. November 1933

    “To open eyes”: his first English sentence

    When Albers arrived at Black Mountain College, a student asked him what he was going to teach. His first English sentence was “to open eyes” — and it became the motto of all his teaching.

  3. 1933–1949

    Black Mountain summer seminars and famous pupils

    To Black Mountain's summer seminars Albers invited leading American artists to teach — Willem de Kooning, the choreographer Merce Cunningham, the Harlem Renaissance painter Jacob Lawrence. His students included Ruth Asawa, Ray Johnson, Robert Rauschenberg, Cy Twombly and Susan Weil; Rauschenberg, despite their often combative relationship, later named Albers his most important teacher. In these years Albers made many woodcuts and leaf studies.

  4. 1933–1949

    Employed by: Black Mountain College

  5. 1936

    First solo show in New York

    Albers had his first solo show in Manhattan at J. B. Neumann's New Art Circle.

Autres œuvres : Josef Albers

Toutes les œuvres
Study for Homage to the Square: Light Rising, Josef Albers, 1950, altered 1959

Study for Homage to the Square: Light Rising

1950, altered 1959 · National Gallery of Art

Study for Homage to the Square: Early Fusion, Josef Albers, 1965

Study for Homage to the Square: Early Fusion

1965 · National Gallery of Art

Self Portrait (right profile), Josef Albers, c. 1916

Self Portrait (right profile)

c. 1916 · Non exposée · Museum of Modern Art

Self-Portrait, Josef Albers, c. 1917

Self-Portrait

c. 1917 · Non exposée · Museum of Modern Art

Oskar Schlemmer; [Schlemmer] in the Master’s Council; [Schlemmer] with Wittwer, Kallai, and Marianne Brandt, Preliminary Course Exhibition; [Schlemmer] ​and ​Tut, Josef Albers, 1928-30/1932

Oskar Schlemmer; [Schlemmer] in the Master’s Council; [Schlemmer] with Wittwer, Kallai, and Marianne Brandt, Preliminary Course Exhibition; [Schlemmer] ​and ​Tut

1928-30/1932 · Non exposée · Museum of Modern Art

Paris, Eiffel Tower, Josef Albers, August 1929/1932

Paris, Eiffel Tower

August 1929/1932 · Non exposée · Museum of Modern Art

Paul Klee, Dessau, Josef Albers, November 1929/1932

Paul Klee, Dessau

November 1929/1932 · Non exposée · Museum of Modern Art

Biarritz, Josef Albers, August 1929/1932

Biarritz

August 1929/1932 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950