Edward RuschaÉtats-Unis, 1937Pews
Peut-on la contempler ?
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Musées d'Art de Harvard
Cambridge, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
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- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- M26345
Au catalogue
Sources
- Musées d'Art de Harvard: the museum's own open data · obtenue il y a 6 jours
- Image : Musées d'Art de Harvard — © President and Fellows of Harvard College
Pendant ce temps, chez Edward Ruscha
La vie entière1967–1970
Self-imposed exile from painting: gunpowder and graphite drawings
During a period of self-imposed exile from painting (1967–1970) he makes gunpowder and graphite drawings: single words in a trompe l'oeil technique, as if formed from ribbons of curling paper.
1968
First solo show in Europe, in Cologne
His first European solo show takes place in Cologne, at Galerie Rudolf Zwirner.
1970
The “Chocolate Room” at the Venice Biennale
Ruscha represents the United States at the Venice Biennale as part of a survey of American printmaking with an on-site workshop, and constructs “Chocolate Room”: 360 sheets of paper permeated with chocolate hang like shingles on the gallery walls, and the pavilion smells like a chocolate factory. In 2003 the Museum of Contemporary Art in Los Angeles acquires the installation (then worth about $1.5 million).
1970
Joins the Leo Castelli Gallery
He joins the Leo Castelli Gallery; his first solo exhibition there will come only in 1973.
30 juin 1972 – 8 octobre 1972
Exhibition: Documenta 5
1972–1978
Separation and divorce from Danna
In 1972 Ruscha and Danna separate, in 1976 they file for divorce and in 1978 they divorce; during the time they are apart he dates the actresses Candy Clark, Samantha Eggar, Diane Keaton, Lauren Hutton and Michelle Phillips.
