PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN), Carl Andre, 1973, printed 1982
Carl AndreÉtats-Unis, 1935–2024

PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)

1973, printed 1982 · Print

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Où est « PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN) » aujourd’hui ? Collection: Whitney Museum of American Art, New York. Pas exposée actuellement. Vérifié 25 septembre 2026.

Whitney Museum of American Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Source
Le musée

Notice

Numéro d’inventaire
2013.83.2

Au catalogue

Sources

Dans la vie de Carl Andre

La vie entière
  1. 1972

    Tate buys “Equivalent VIII”

    Britain’s Tate Gallery acquires “Equivalent VIII”, an arrangement of 120 firebricks.

  2. 1976

    The “bricks controversy” over “Equivalent VIII”

    After an article in The Sunday Times, the work that the Tate had shown several times without incident becomes the centre of a scandal and is later defaced with blue food dye; the “bricks controversy” becomes one of the most famous British debates about contemporary art.

  3. 24 juin 1977 – 2 octobre 1977

    Exhibition: Documenta 6

  4. 1979

    Meets Ana Mendieta

    At AIR Gallery in New York the artists Leon Golub and Nancy Spero introduce Andre to the Cuban-born avant-garde artist Ana Mendieta. A romance soon begins: he travels with her through Italy and Germany, introduces her to New York’s art society and helps organize her exhibitions.

  5. 1980

    The book “12 Dialogues”

    NYU Press publishes “12 Dialogues”, in which Andre and Hollis Frampton took turns replying to each other at a typewriter in poetry and free-form essay-like texts.

  6. 19 juin 1982 – 28 septembre 1982

    Exhibition: documenta 7

Toutes les œuvres

Aussi exposées : Whitney Museum of American Art

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