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  1. Collection/
  2. National Gallery of Art/
  3. Perfume (Bad Smell)
Perfume (Bad Smell), M.C. Escher, 1921
Maurits Cornelis Escher, portraitMaurits Cornelis EscherPays-Bas, 1898–1972

Perfume (Bad Smell)

1921 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
avant-hier
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1921 · à 23 ans
18981972
Numéro d’inventaire
1983.109.50

Ce qu’elle montre

MaleHead

Au catalogue

EstampesGravure sur boisModernismeXXe siècleDutch

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder

Pendant ce temps, chez Maurits Cornelis Escher

La vie entière
  1. 1919–1922

    The Haarlem school and his teacher Mesquita

    In 1919 Escher entered the Haarlem School of Architecture and Decorative Arts, where he learned drawing and woodcut; he soon gave up architecture for decorative arts and graduated in 1922. A huge influence on him was his teacher, the artist Samuel de Mesquita, with whom he remained friends until 1944; he chose the career of an engraver rather than an oil painter quite deliberately — according to the scholar Hans Locher, he was drawn by the possibility of making many impressions.

  2. 1921

    First journey abroad: Italy and the Riviera

    In 1921 Escher travelled abroad for the first time, with his family, to northern Italy and the French Riviera: Italian Renaissance art made a very strong impression on him, he drew olive trees and began experiments with spheres and mirrors. His engravings illustrated his friend Ad van Stolk’s humorous booklet “Flor de Pascua”; the first work to sell in large numbers was “St Francis Preaching to the Birds”.

  3. April – June 1922

    Italy in the spring of 1922: San Gimignano and Siena

    In April 1922 Escher left for Italy with two friends — by legend his mother saw him off with the words “My son, don’t smoke too much”. The friends soon turned back from Florence, but he went on to San Gimignano, drew Volterra and Siena, saw the fluorescent sea for the first time, spent the whole spring outside the city drawing landscapes, plants and insects, visited Assisi, Ravenna, Venice, Padua and Milan, and in June returned to Oosterbeek, intending to move to Italy for good.

  4. September 1922

    Spain and the Alhambra: the Moorish pattern

    In September 1922 Escher sailed to Spain — Barcelona, Madrid, a bullfight, then Granada, where he studied the Moorish style at the Alhambra. The intricate geometric ornaments of the Alhambra — interlocking repetitive patterns in coloured tiles and carved into walls — woke his interest in the mathematics of tessellation and left a lasting mark on his work.

  5. November 1922 – August 1923

    Siena: the first solo exhibition

    Back in Italy, Escher settled in Siena in November 1922, where his first solo exhibition took place in August 1923 — he managed to sell one work.

  6. March 1923 – 12 May 1924

    Jetta Umiker: from Ravello to the wedding

    In March 1923 in Ravello Escher first met Jetta (Giulietta) Umiker, the daughter of a Swiss industrialist who until 1917 had managed two textile factories at Nakhabino near Moscow; he declared himself at the last moment, when her family was already leaving for Switzerland. They became engaged and married on 12 May 1924 in Viareggio; on their honeymoon — via Genoa, Annecy, Paris and Brussels — the couple travelled to Oosterbeek, and then returned to live in Italy.

Autres œuvres : Maurits Cornelis Escher

Toutes les œuvres
Green Sea, M.C. Escher

Green Sea

Non exposée · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Non exposée · National Gallery of Art

Portrait, M.C. Escher

Portrait

Non exposée · National Gallery of Art

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Non exposée · National Gallery of Art

Pond, M.C. Escher

Pond

Non exposée · National Gallery of Art

Railroad, M.C. Escher

Railroad

Non exposée · National Gallery of Art

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Non exposée · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Non exposée · National Gallery of Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888