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Paul Fierens, Alexandre Charpentier, 1896
Alexandre Charpentier, portraitAlexandre CharpentierFrance, 1856–1909

Paul Fierens

1896 · Sculpture

Peut-on la voir ?

Oui, exposée actuellement

Où est « Paul Fierens » aujourd’hui ? National Gallery of Art, Salle 1A · Bâtiment ouest, rez-de-chaussée, Washington. Oui, exposée actuellement. Vérifié 29 septembre 2026.

National Gallery of Art

Washington, États-Unis

Salle1A · Bâtiment ouest, rez-de-chaussée

Ouvert· jusqu’à 17:00

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
2003.154.4

Ce qu’elle montre

Bust facing rightFierens, Paul

Au catalogue

SculptureBronzeImpressionnismeXIXe siècleFrenchRomantic

Sources

Autres œuvres : Alexandre Charpentier

Toutes les œuvres
Maternity, or Young Woman Nursing a Child, Alexandre Charpentier, model 1882

Maternity, or Young Woman Nursing a Child

model 1882 · National Gallery of Art

Bather, Alexandre Charpentier, c. 1890

Bather

c. 1890 · National Gallery of Art

Edmond de Goncourt, 1822-1896, Writer and Critic, Alexandre Charpentier, c. 1891

Edmond de Goncourt, 1822-1896, Writer and Critic

c. 1891 · National Gallery of Art

Advertisement for Muller Stoneware Manufactory, Alexandre-Louis-Marie Charpentier, 1897

Advertisement for Muller Stoneware Manufactory

1897 · Metropolitan Museum of Art

Young Mother Breastfeeding her Child, Alexandre Charpentier, model 1882; stoneware about 1895

Young Mother Breastfeeding her Child

model 1882; stoneware about 1895 · J. Paul Getty Museum

Chloë, Alexandre Charpentier

Chloë

Skulpturensammlung

Die Duval-Janvier - Münzpresse, Alexandre Charpentier

Die Duval-Janvier - Münzpresse

Österreichische Galerie Belvedere

Mor ammande sitt barn (Jeune Femme allaitant son Enfant) (1892), Alexandre Charpentier

Mor ammande sitt barn (Jeune Femme allaitant son Enfant) (1892)

Non exposée · Nationalmuseum

Dans la même salle · G-001-A, National Gallery of Art

Page du musée
Portrait Mask of Etienne Carjat, Aimé-Jules Dalou, model c. 1891, cast after 1907

Aimé-Jules Dalou

Portrait Mask of Etienne Carjat, model c. 1891, cast after 1907

Jean-Louis-Ernest Meissonier, Vincenzo Gemito, 1879

Vincenzo Gemito

Jean-Louis-Ernest Meissonier, 1879

Bust of the Fisherboy, Vincenzo Gemito, model c. 1876, cast probably 1883/1886

Vincenzo Gemito

Bust of the Fisherboy, model c. 1876, cast probably 1883/1886

Hunting Nymph, Jean-Alexandre-Joseph Falguière, model 1884

Jean-Alexandre-Joseph Falguière

Hunting Nymph, model 1884

Vase, Paul Manship, 1913

Paul Manship

Vase, 1913

Maternity, or Young Woman Nursing a Child, Alexandre Charpentier, model 1882

Alexandre Charpentier

Maternity, or Young Woman Nursing a Child, model 1882

Slavonic Dancer, Harriet Whitney Frishmuth, model 1921, cast 1921/1927

Harriet Whitney Frishmuth

Slavonic Dancer, model 1921, cast 1921/1927

Nathaniel Hawthorne, 1804-1864, Author, Jean Désiré Ringel d'Illzach, 1892

Jean Désiré Ringel d'Illzach

Nathaniel Hawthorne, 1804-1864, Author, 1892

Sur le même thème · Bust facing right

Toutes les œuvres sur ce thème
Self-Portrait of Rembrandt, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1771

Rembrandt van Rijn

Self-Portrait of Rembrandt, 1771

Non exposée · National Gallery of Art

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, 1961, printed 1995

Non exposée · National Gallery of Art

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, Pisanello, c. 1449

Pisanello

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, c. 1449

Non exposée · National Gallery of Art

Portrait of a Man, Facing Right, Alex Katz, 1950s

Alex Katz

Portrait of a Man, Facing Right, 1950s

Non exposée · National Gallery of Art

Gian Galeazzo Maria Sforza, Duke of Milan, Workshop of Benedetto Briosco, early 1490s

anonymous

Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s

Non exposée · National Gallery of Art

Bust of a Youth, Studio of Giovanni Bernardi

anonymous

Bust of a Youth

Non exposée · National Gallery of Art

Filippo Maria Visconti, Imitator of Benedetto Briosco, part before 1878, part 1930

anonymous

Filippo Maria Visconti, part before 1878, part 1930

Non exposée · National Gallery of Art

Joel Barlow, after Jean-Antoine Houdon, model 1803, cast by 1913

Jean-Antoine Houdon

Joel Barlow, model 1803, cast by 1913

Non exposée · National Gallery of Art