Partial Truth

1997 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 12 jours
Source: Les données de collection du musée lui-même

Sur la carte Page du musée

Notice

Numéro d’inventaire: 560.1997

Sources

Museum of Modern Art: the museum's own open data · obtenue il y a 12 jours
Image : Museum of Modern Art — © the artist or rights holder

Toutes les œuvres

Untitled

1965 · Art Institute of Chicago

Untitled

1965 · Non exposée · Museum of Modern Art

Reproduction Proof of "Self Portrait as Fountain"

1966 · Non exposée · National Gallery of Art

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

1966 · Non exposée · Museum of Modern Art

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

1966 · Non exposée · Museum of Modern Art

Walking in an Exaggerated Manner Around the Perimeter of a Square

1967-68 · Non exposée · Museum of Modern Art

Violin Film #1 (Playing The Violin As Fast As I Can)

1967-1968 · Non exposée · Museum of Modern Art

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

1967-1968 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Partial Truth

Elle ne reçoit pas en ce moment

Notice

Sources

Autres œuvres : Bruce Nauman

Untitled

Untitled

Reproduction Proof of "Self Portrait as Fountain"

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

Walking in an Exaggerated Manner Around the Perimeter of a Square

Violin Film #1 (Playing The Violin As Fast As I Can)

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

Sous le même toit : Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Partial Truth

Elle ne reçoit pas en ce moment

Notice

Sources

Autres œuvres : Bruce Nauman

Untitled

Untitled

Reproduction Proof of "Self Portrait as Fountain"

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

Walking in an Exaggerated Manner Around the Perimeter of a Square

Violin Film #1 (Playing The Violin As Fast As I Can)

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

Sous le même toit : Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950