Joaquín SorollaEspagne, 1863–1923Oropesa
Peut-on la contempler ?
Inconnu
Musée Sorolla
Madrid, Espagne
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
À propos de l’œuvre
Selon le musée — en espagnol
Superposición de construcciones: en primer término, una pared con cubierta inclinada oculta parte de la fachada de otra casa, con cubierta a dos aguas, vano circular en la parte superior y puerta de dintel semicircular a la izquierda. Un gran arco de medio punto en el centro, en sentido oblicuo, parece cobijarla. Según inscripciones es de ladrillo visto en la parte superior y encalada en la inferior. Al fondo, parte de una fachada con una ventana enrejada y techumbre inclinada.
Musée Sorolla
Notice
Pendant ce temps, chez Joaquín Sorolla
La vie entière1911
Contract with Huntington for a series on Spain
In Paris Sorolla signed a contract with the American magnate and patron Archer Huntington for a series of paintings on life in Spain. The major commission of his career, it dominated his last years.
early 1911
Second US visit: St. Louis and Chicago
Sorolla visited the United States a second time and showed 152 new paintings at the Saint Louis Art Museum and, a few weeks later, 161 at the Art Institute of Chicago.
1911–1919
Through the provinces of Spain to paint from life
Huntington had envisioned a history of Spain; Sorolla preferred a “Vision of Spain” and finally images of the regions of the peninsula, “The Provinces of Spain”. He painted all but one of the huge canvases en plein air, travelling to Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipúzcoa, Castile, León and Ayamonte and posing models in local costume.
