Original design for initial letters for Kelmscott Press, William Morris, 1890s
William Morris, portraitWilliam MorrisRoyaume-Uni, 1834–1896

Original design for initial letters for Kelmscott Press

1890s · Drawing · 6.2 × 14.1 cm

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleBritish Galleries, Room 125, Edwin and Susan Davies Gallery

Présentée au public.

Vérifié
Dans cet état depuis
Source
Le musée

Notice

Numéro d’inventaire
D.1561-1907

Au catalogue

Sources

Pendant ce temps, chez William Morris

La vie entière
  1. 1883–1889

    Engels, Shaw, Stepniak and Kropotkin: the circle of the left

    Ernest Belfort Bax introduced him to Engels, who thought Morris honest but lacking the practical skills to aid the proletarian revolution; in “Justice” he befriended George Bernard Shaw, and despite being a Marxist he became close to the anarchists Stepniak and Peter Kropotkin, whose views influenced him.

  2. 1885–1891

    Editor of “Commonweal”, the League’s paper

    From February 1885 he edited the Socialist League’s weekly “Commonweal” for six years, with contributions from Engels, Shaw, Paul Lafargue, Wilhelm Liebknecht and Karl Kautsky; he wrote articles and poems for it and kept it financially afloat; in 1891, when the League’s influence passed to the anarchists, he withdrew from active involvement.

  3. January 1890 – March 1891

    “News from Nowhere”: a socialist’s utopia

    From January to October 1890 he serialised in “Commonweal” his utopian novel “News from Nowhere”, an answer to Bellamy’s “Looking Backward” that pictured a future of harmony between people and their environment in which work is a joy; the paper’s circulation rose markedly, the novel appeared as a book in March 1891, and by 1900 it had been translated into five languages and become a classic of Europe’s socialists.

  4. 1891

    He founds the Kelmscott Press

    In 1891 he founded the Kelmscott Press to revive medieval traditions of bookmaking: small print runs and hand work from papermaking to printing (vellum for some books); he laid out every book himself, drew initials and miniatures and designed typefaces, and Burne-Jones and Walter Crane collaborated with him.

  5. 1896

    The Chaucer edition: the summit of his work with Burne-Jones

    In 1896 the edition of the works of Geoffrey Chaucer appeared — one of the peaks of Morris’s collaboration with Burne-Jones: Burne-Jones made the illustrations, while Morris devised three typefaces — Golden, Troy and Chaucer — and framed the text in intricate floral borders resembling illuminated medieval manuscripts.

  6. 3 octobre 1896

    Died

Toutes les œuvres

Dans la même salle · British Galleries, Room 125, Edwin and Susan Davies Gallery, Victoria and Albert Museum

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