ART WIKI
Op bezoek bij Jemima Evans, George Cruikshank, 1836 - 1839
George Cruikshank, portraitGeorge CruikshankAngleterre, 1792–1878

Op bezoek bij Jemima Evans

1836 - 1839 · cartoon

Peut-on la voir ?

Inconnu

Où est « Op bezoek bij Jemima Evans » aujourd’hui ? Collection: Rijksmuseum Amsterdam, Amsterdam. Inconnu.

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source
Le musée
Sur la cartePage du musée

À propos de l’œuvre

Selon le musée — en néerlandais

De nette heer Wilkins op bezoek bij Jemima Evans en haar moeder. Illustratie voor een uitgave van Sketches by 'Boz' van Charles Dickens, 1836-1839.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire
RP-P-2017-3000-29

Ce qu’elle montre

KitchenVisitingReceiving guestsElegant companyPolitical caricatures and satires

Au catalogue

EstampesRomantismeXIXe siècle

Sources

Autres œuvres : George Cruikshank

Toutes les œuvres
Sketches of Head, Arm, and Kneeling Figure, George Cruikshank

Sketches of Head, Arm, and Kneeling Figure

Non exposée · National Gallery of Art

Earl and Countess of Somerset, Accomplices inthe Murder of Sir Thomas Overbury, George Cruikshank

Earl and Countess of Somerset, Accomplices inthe Murder of Sir Thomas Overbury

Non exposée · National Gallery of Art

Street Perspective with Places of Business Labeled, George Cruikshank

Street Perspective with Places of Business Labeled

Non exposée · National Gallery of Art

George Cruikshank (decorative signature), George Cruikshank

George Cruikshank (decorative signature)

Non exposée · National Gallery of Art

Half-Length of a Lawyer and Other Sketches, George Cruikshank

Half-Length of a Lawyer and Other Sketches

Non exposée · National Gallery of Art

Sketches of Grotesque Faces, George Cruikshank

Sketches of Grotesque Faces

Non exposée · National Gallery of Art

Sketch of Mounted Hussar, George Cruikshank

Sketch of Mounted Hussar

Non exposée · National Gallery of Art

Sketch of Octagon Recess with Columns, George Cruikshank

Sketch of Octagon Recess with Columns

Non exposée · National Gallery of Art

Aussi exposées : Rijksmuseum Amsterdam

Page du musée
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

La Ronde de nuit, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait de Maria Trip, 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Paysage avec un pont de pierre, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Sur le même thème · Kitchen

Toutes les œuvres sur ce thème
Peter Orlovsky in his mother's house, Allen Ginsberg, 1964, printed later

Allen Ginsberg

Peter Orlovsky in his mother's house, 1964, printed later

Non exposée · National Gallery of Art

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

Non exposée · National Gallery of Art

Father Pierre Riches at kitchen table December 4, 1992, Allen Ginsberg, 1992

Allen Ginsberg

Father Pierre Riches at kitchen table December 4, 1992, 1992

Non exposée · National Gallery of Art

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., Allen Ginsberg, 1984

Allen Ginsberg

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., 1984

Non exposée · National Gallery of Art

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., 1987

Non exposée · National Gallery of Art

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

Non exposée · National Gallery of Art

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., Allen Ginsberg, 1987

Allen Ginsberg

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., 1987

Non exposée · National Gallery of Art

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., Allen Ginsberg, 1987

Allen Ginsberg

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., 1987

Non exposée · National Gallery of Art