ART WIKI
Oorlog in Rusland, Dmitri Baltermants, c. 1942
Dmitri BaltermantsRussie, 1912–1990

Oorlog in Rusland

c. 1942 · Photograph

Peut-on la voir ?

Inconnu

Où est « Oorlog in Rusland » aujourd’hui ? Collection: Rijksmuseum Amsterdam, Amsterdam. Inconnu.

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source
Le musée
Sur la cartePage du musée

À propos de l’œuvre

During the Second World War photographs of a country’s own dead soldiers and the destruction of war were largely censured. Many of Baltermants’ images of the fighting between Germany and the Red Army only came to light in Russia twenty years later. Without sparing

the viewer, this photograph shows death blatantly and in all of its desolation.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire
RP-F-2005-107-95

Ce qu’elle montre

SoldiersSoldiers' livesCorpses

Au catalogue

PhotographiesModernismeXXe siècle

Sources

Autres œuvres : Dmitri Baltermants

Toutes les œuvres
Untitled (men behind a ledge), Dmitrii Baltermants, 20th century

Untitled (men behind a ledge)

20th century · Non exposée · Minneapolis Institute of Art

Untitled, Dmitrii Baltermants, 20th century

Untitled

20th century · Non exposée · Minneapolis Institute of Art

Dead Season on the Beach, France, Dmitrii Baltermants, 20th century

Dead Season on the Beach, France

20th century · Non exposée · Minneapolis Institute of Art

Military Officers at the Command Post, Dmitri Baltermants, 1932/90, printed 2003

Military Officers at the Command Post

1932/90, printed 2003 · Non exposée · Art Institute of Chicago

Kuravsky Tractor Plant, Uchastok Town, Dmitri Baltermants, 1932/90, printed in 2003

Kuravsky Tractor Plant, Uchastok Town

1932/90, printed in 2003 · Non exposée · Art Institute of Chicago

Untitled (Women weeping...), Dmitri Baltermants, c. 1940

Untitled (Women weeping...)

c. 1940 · Non exposée · Art Institute of Chicago

Bayonet Attack, Dmitri Baltermants, November 1941, printed 2003

Bayonet Attack

November 1941, printed 2003 · Non exposée · Art Institute of Chicago

Entertaining the Troops, Dmitri Baltermants, 1941–45, printed 2003

Entertaining the Troops

1941–45, printed 2003 · Non exposée · Art Institute of Chicago

Aussi exposées : Rijksmuseum Amsterdam

Page du musée
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

La Ronde de nuit, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait de Maria Trip, 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Paysage avec un pont de pierre, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Sur le même thème · Soldiers

Toutes les œuvres sur ce thème
Washington Crossing the Delaware, Emanuel Leutze, 1851

Emanuel Gottlieb Leutze

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Metropolitan Museum of Art

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Le Reniement de saint Pierre, 1610

Metropolitan Museum of Art

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Caravaggio

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Musée Herzog Anton Ulrich

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Rembrandt van Rijn

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[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Musée Herzog Anton Ulrich

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Musée Herzog Anton Ulrich

Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816

Francisco de Goya

Disparate de miedo (Folly of Fear), in or after 1816

Non exposée · National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Non exposée · National Gallery of Art