ART WIKI 32 963 en salle

Carte Collection Artistes Musées Expositions Journal

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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Collection
Art Institute of Chicago
On the Road

On the Road, Jules Dupré, 1856

Jules Dupré, portrait

Jules DupréFrance, 1811–1889

On the Road

1856 · Painting

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 3 jours
Dans cet état depuis: 19 août 2026
Source: Le musée

Sur la carte Page du musée

Notice

1856 · à 45 ans

18111889

Numéro d’inventaire: 1894.1057

Ce qu’elle montre

Travel Foliage Clouds Ciel Carriage Paths Tree of life Movement Enfant Femme Homme Rural life Countryside Nature Figures Cheval Road

Au catalogue

Peintures Huile Peinture française Réalisme XIXe siècle France

Sources

Art Institute of Chicago
Image : Art Institute of Chicago — CC0

Autres œuvres : Jules Dupré

Toutes les œuvres

L'Automne, Dupré, Jules, XIXe siècle (1800 - 1900)

L'Automne

XIXe siècle (1800 - 1900) · Musée du Louvre

Cows Crossing a Ford, Jules Dupré, 1836

Cows Crossing a Ford

1836 · Metropolitan Museum of Art

The Pond, Jules Dupré, 1837

The Pond

1837 · Minneapolis Institute of Art

Landscape with Cattle at Limousin, Jules Dupré, 1837

Landscape with Cattle at Limousin

1837 · Metropolitan Museum of Art

L'abreuvoir et le grand chêne, Dupré, Jules, Milieu du XIXe siècle (1840 - 1860)

L'abreuvoir et le grand chêne

Milieu du XIXe siècle (1840 - 1860) · Musée du Louvre

La Mare, Dupré, Jules, XIXe siècle (Vers 1850) (1850)

La Mare

XIXe siècle (Vers 1850) (1850) · Musée du Louvre

Landscape with Cows, Jules Dupré, 19th century

Landscape with Cows

19th century · Non exposée · Musée de l'Ermitage

Лесной пруд. Эскиз, Jules Dupré, first half of the 19th century

Лесной пруд. Эскиз

first half of the 19th century · Musée des Beaux-Arts Pouchkine

Sous le même toit : Art Institute of Chicago

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sur le même thème · Travel

Toutes les œuvres sur ce thème

"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Non exposée · National Gallery of Art

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Non exposée · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non exposée · National Gallery of Art

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Non exposée · National Gallery of Art

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Non exposée · National Gallery of Art

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Non exposée · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non exposée · National Gallery of Art

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Non exposée · National Gallery of Art