Jackson PollockÉtats-Unis, 1912–1956Number 18, 1951
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Whitney Museum of American Art
New York, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 2002.258
Au catalogue
Sources
- Whitney Museum of American Art: the museum's own open data · obtenue il y a 11 jours
- Image : Whitney Museum of American Art — © the artist or rights holder
Pendant ce temps, chez Jackson Pollock
La vie entière8 August 1949
Life asks if he is the greatest living US painter
On 8 August 1949 Life published an article on Pollock under a headline asking whether he was the greatest living painter in the United States.
1950
Hans Namuth photographs and films Pollock at work
In 1950 the young photographer Hans Namuth photographed and filmed Pollock at work. Pollock had promised to start a new painting for the session but said it was already finished — then, as if realising it was not, he flung paint onto the canvas for about half an hour in an almost dancelike movement.
1950
“No. 12, 1949” at the Venice Biennale
Pollock's “No. 12, 1949”, a medium-sized drip painting, was shown in the United States Pavilion at the 1950 Venice Biennale.
after 1951
Moves to the Sidney Janis Gallery
Pollock moved to the more commercial Sidney Janis Gallery; collectors' demand for his work was great, and under this pressure, along with personal frustration, his alcoholism deepened.
from 7 March 1952
First Paris exhibition at Paul Facchetti's
From 7 March 1952 the first exhibition of Pollock's works of 1948–1951 in Paris and in Europe was held at Paul Facchetti's studio, arranged through the mediation of Pollock's close friend Alfonso Ossorio and the art historian Michel Tapié.
9 avril 1952 – 27 juillet 1952
Exhibition: 15 Americans
