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  1. Collection/
  2. Smithsonian American Art Museum/
  3. Nino Jesus
Nino Jesus, Unidentified, 18th century

Unidentified

Nino Jesus

18th century · Sculpture · 34 × 14 cm

À propos de la sculpture

Devotional figures of the infant Jesus became popular in Puerto Rico during the seventeenth and eighteenth centuries. Santeros carved the faces and hands of the statues realistically and clothed the figures with luxurious fabrics. An unknown craftsman carved this small figure in the act of benediction, or blessing, with an orb in his left hand to symbolize God's dominion over the Earth. The three flame-like shapes around the child's head represent the three parts of the soul: memory, understanding, and will. (Lange, Santos: The Household Wooden Saints of Puerto Rico, PhD diss., 1975)

Smithsonian American Art Museum

Notice

Numéro d’inventaire
1996.91.52

Dans la même salle · Luce Foundation Center, 3rd Floor, 21B, Smithsonian American Art Museum

Page du musée

Sur le même thème · Cross

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Smithsonian American Art Museum

Washington, États-Unis

SalleLuce Foundation Center, 3rd Floor, 21B

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
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Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

CrossReligionBible, N.T.Jesus ChristEmblems

Au catalogue

SculptureBois

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
San Miguel en Lucha con el Demonio, Francisco "Pancho el Santero" Rivera, second half of 19th century-1910

Francisco "Pancho el Santero" Rivera

San Miguel en Lucha con el Demonio, second half of 19th century-1910

Los Reyes Magos, Caban group, ca. 1875-1900

Caban group

Los Reyes Magos, ca. 1875-1900

San Antonio y el Nino, Lares group, ca. 1875-1900

Lares group

San Antonio y el Nino, ca. 1875-1900

La Virgen y el Nino, Lares group, ca. 1875-1900

Lares group

La Virgen y el Nino, ca. 1875-1900

Calvario, Caban group, ca. 1875-1900

Caban group

Calvario, ca. 1875-1900

San Jose y el Nino, Tiburcio de la Espada, ca. 1845

Tiburcio de la Espada

San Jose y el Nino, ca. 1845

Retrato de caballero, José Campeche y Jordán, ca. 1805-1809

José Campeche y Jordán

Retrato de caballero, ca. 1805-1809

San Rafael y Tobias, Caban group, ca. 1850-1925

Caban group

San Rafael y Tobias, ca. 1850-1925

Poet Gregory Corso addressing cross atop the Grey Nuns’ Orphanage grotto Kerouac immortalized in book 4 Chapter 1, _Doctor Sax_, a “gigantic pyramid of steps upon which the Cross itself poked phallically up with its poor burden the Son of Man all skewered across it in his Agony and fright – undoubtedly this statue moved in the night.” Lowell, Massachusetts, March 17, 1986., Allen Ginsberg, 1986, printed 1992

Allen Ginsberg

Poet Gregory Corso addressing cross atop the Grey Nuns’ Orphanage grotto Kerouac immortalized in book 4 Chapter 1, _Doctor Sax_, a “gigantic pyramid of steps upon which the Cross itself poked phallically up with its poor burden the Son of Man all skewered across it in his Agony and fright – undoubtedly this statue moved in the night.” Lowell, Massachusetts, March 17, 1986., 1986, printed 1992

Non exposée · National Gallery of Art

Honfleur: Calvary, Camille Corot, ca. 1830

Camille Corot

Honfleur: Calvary, ca. 1830

Metropolitan Museum of Art

The Crucifixion, Bartolomé Estebán Murillo, ca. 1675

Bartolomé Esteban Murillo

The Crucifixion, ca. 1675

Metropolitan Museum of Art

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., Gordon Parks, August 1942, printed later

Gordon Parks

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., August 1942, printed later

Non exposée · National Gallery of Art

Peruvian Peddler, Gordon Parks, 1960

Gordon Parks

Peruvian Peddler, 1960

Non exposée · National Gallery of Art

Salvator Mundi, Hans Memling, 1480–85

Hans Memling

Salvator Mundi, 1480–85

Metropolitan Museum of Art

The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino, ca. 1650

Giovanni Francesco Barbieri, called Guercino

The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650

Metropolitan Museum of Art

La Salle Erecting a Cross and Taking Possession of the Land.  March 25, 1682, George Catlin, 1847/1848

George Catlin

La Salle Erecting a Cross and Taking Possession of the Land. March 25, 1682, 1847/1848

Non exposée · National Gallery of Art