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  1. Collection/
  2. Musées d'Art de Harvard/
  3. Nicholas Boylston (1716-1771)
Nicholas Boylston (1716-1771), John Singleton Copley, 1773
John Singleton Copley, portraitJohn Singleton CopleyÉtats-Unis, 1738–1815

Nicholas Boylston (1716-1771)

1773 · Painting

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Musées d'Art de Harvard

Cambridge, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
27 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1773 · à 35 ans
17381815
Numéro d’inventaire
H20

Au catalogue

PeinturesHuilePeinture américaineRococoNéoclassicismeXVIIIe siècleÉtats-Unis

Sources

  • Musées d'Art de Harvard
  • Image : Musées d'Art de Harvard — © Photo by Michael Gould

Pendant ce temps, chez John Singleton Copley

La vie entière
  1. 1753–1774 · Lieu de travail

    Boston

  2. June 1771 – January 1772

    A trip to New York: thirty-seven portraits

    At the invitation of Myles Cooper, president of King’s College, whose portrait Copley had painted in Boston in 1768, he sets up his easel on Broadway in New York and paints thirty-seven portraits. It is his only American tour away from Boston: most of the Southern portraits attributed to him were in fact made by Henry Benbridge.

  3. 1773

    His father-in-law is consignee of the Boston Tea Party tea

    Richard Clarke, the artist’s father-in-law, was the merchant to whom the tea that provoked the Boston Tea Party was consigned. All of Copley’s family connections were Loyalists, and at a meeting described in his letter of 1 December 1773 he defended his wife’s relatives.

  4. April 1774

    A mob at Copley’s house looks for the Loyalist Watson

    A mob comes to Copley’s house demanding Col. George Watson, a Loyalist mandamus counsellor who had gone elsewhere; the patriots threaten to have Copley’s blood if he ever again shelters such a villain. In a letter of 26 April he is appalled: had Watson stayed the night, as he had pressed him to, he would have had to give up a friend to the insult of a mob or have his house pulled down and perhaps his family murdered.

  5. June 1774

    Sails from Boston for London

    Amid growing unrest on the eve of the War of Independence, and urged on by correspondents in England, Copley sails with many letters of introduction, leaving his mother, wife and children in Henry Pelham’s charge. He never returns to America.

  6. 1774–1815 · Lieu de travail

    London

Autres œuvres : John Singleton Copley

Toutes les œuvres
Daniel Crommelin Verplanck, John Singleton Copley, 1771

Daniel Crommelin Verplanck

1771 · Metropolitan Museum of Art

Jane Browne, John Singleton Copley, 1756

Jane Browne

1756 · National Gallery of Art

Epes Sargent, John Singleton Copley, c. 1760

Epes Sargent

c. 1760 · National Gallery of Art

Anne Fairchild Bowler (Mrs. Metcalf Bowler), John Singleton Copley, c. 1763

Anne Fairchild Bowler (Mrs. Metcalf Bowler)

c. 1763 · National Gallery of Art

Portrait of Sarah Allen, née Sargent, John Singleton Copley, c. 1763

Portrait of Sarah Allen, née Sargent

c. 1763 · Minneapolis Institute of Art

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763

Mrs. Jerathmael Bowers

ca. 1763 · Metropolitan Museum of Art

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), John Singleton Copley, c. 1764

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)

c. 1764 · National Gallery of Art

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

Mrs. Sylvanus Bourne

1766 · Metropolitan Museum of Art

Sous le même toit : Musées d'Art de Harvard

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