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  1. Collection/
  2. Museum of Modern Art/
  3. Nancy Newhall
Nancy Newhall, Edward Weston, 1944
Edward Weston, portraitEdward WestonÉtats-Unis, 1886–1958

Nancy Newhall

1944 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 8 jours
Source
Le musée
Sur la cartePage du musée

Notice

1944 · à 58 ans
18861958
Numéro d’inventaire
227.1974

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Edward Weston

La vie entière
  1. early 1942

    Whitman-trip negatives: forty-nine selected

    Weston spends the first months of 1942 organising and printing the negatives from the Whitman trip. Of the hundreds of images, forty-nine are selected for publication.

  2. 1945

    First symptoms of Parkinson’s disease

    The year 1945 marks the beginning of significant changes: Weston begins to experience the first symptoms of Parkinson’s disease, a debilitating ailment that will gradually steal his strength and his ability to photograph. He withdraws from Wilson, who is becoming more involved in local politics and the Carmel cultural scene.

  3. until February 1946

    Separation from Charis Wilson

    A strength that once brought them together — her lack of interest in becoming a photographer herself — eventually leads to their break-up. While he is working on a major retrospective for the Museum of Modern Art they separate; Weston returns to Glendale, since the land under their cabin on Wildcat Hill still belongs to Wilson’s father. Within a few months she moves out and arranges to sell the property to him. She later wrote that her flight from Edward was partly an escape from photography, which had taken up so much room in her life.

  4. 1946

    Colour work for Kodak on Kodachrome

    In 1946 Dr. George L. Waters of Kodak asks Weston to produce 8×10 Kodachrome transparencies for an advertising campaign. He has never worked in colour before, chiefly because he had no means of developing or printing the more complicated process, but he accepts, not least because Kodak offers $250 per image — the highest sum he will be paid for any single work in his lifetime. He eventually sells Kodak seven colour works of landscapes and scenery at Point Lobos and Monterey harbour, and over the next two years makes at least sixty 8×10 colour images.

  5. February 1946

    Retrospective at the Museum of Modern Art

    In February 1946 Weston’s major retrospective opens at the Museum of Modern Art in New York. He and Beaumont Newhall select 313 prints, and eventually 250 photographs are displayed along with 11 negatives. Many of his prints are still for sale at the time, and he sells 97 prints from the show at $25 each.

Autres œuvres : Edward Weston

Toutes les œuvres
Shell, Edward Weston, 1927

Shell

1927 · Museum of Modern Art

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · Museum of Modern Art

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Minneapolis Institute of Art

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · Non exposée · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non exposée · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non exposée · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non exposée · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950