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Accueil Carte Catalogue

Collection
Victoria and Albert Museum
Mr Wignall, Painter

Mr Wignall, Painter, Susannah Penelope Rosse, ca.1690

Mr Wignall, Painter

ca.1690 · Portrait miniature · 9.3 × 6.9 cm

Notice

Numéro d’inventaire: 453-1892

Autres œuvres : Susannah Penelope Rosse

Toutes les œuvres

Sous le même toit : Victoria and Albert Museum

Sur le même thème · Painter

Toutes les œuvres sur ce thème

Susannah Penelope Rosse, portrait

Susannah Penelope Rosse1700

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié: il y a 12 jours
Dans cet état depuis: 25 sept. 2026
Source: Le musée

Sur la carte Page du musée

Ce qu’elle montre

Painter Homme James Wignall

Au catalogue

Peintures Aquarelle Baroque XVIIe siècle English School Stuart Angleterre

Sources

Victoria and Albert Museum
Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

My Father Rosse, Susannah Penelope Rosse, ca.1677

My Father Rosse

ca.1677 · Victoria and Albert Museum

Portrait Miniature of a Woman, presumably a self-portrait of Susannah-Penelope Rosse, Susannah Penelope Rosse, ca.1680

Portrait Miniature of a Woman, presumably a self-portrait of Susannah-Penelope Rosse

ca.1680 · Victoria and Albert Museum

Portrait Miniature of a Woman, presumed to be a self-portrait of Susannah-Penelope Rosse, Susannah Penelope Rosse, 1685-1690

Portrait Miniature of a Woman, presumed to be a self-portrait of Susannah-Penelope Rosse

1685-1690 · Victoria and Albert Museum

Mrs Priestman, Susannah Penelope Rosse, ca.1690

Mrs Priestman

ca.1690 · Victoria and Albert Museum

Mrs Vrybergen, Susannah Penelope Rosse, ca.1690

Mrs Vrybergen

ca.1690 · Victoria and Albert Museum

Mrs Pru Phillips, Susannah Penelope Rosse, ca.1690

Mrs Pru Phillips

ca.1690 · Victoria and Albert Museum

A Woman, perhaps Mary Beatrice d'Este, Duchess of York, Susannah Penelope Rosse, ca.1675

A Woman, perhaps Mary Beatrice d'Este, Duchess of York

ca.1675 · Non exposée · Victoria and Albert Museum

A Woman, perhaps Anne Palmer, Countess of Sussex, Susannah Penelope Rosse, 1680-1685

A Woman, perhaps Anne Palmer, Countess of Sussex

1680-1685 · Non exposée · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

Allen Ginsberg

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

Non exposée · National Gallery of Art

Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., Allen Ginsberg, 1985

Allen Ginsberg

Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., 1985

Non exposée · National Gallery of Art

Francesco Clemente taking a break from painting my portrait in oil, his first from life model, here working on background of imaginary Afric head, his studio Broadway & Great Jones Street. We'd done several illuminated books together (notably _White Shroud_ 1984) & he'd published my Blake discourse "Your Reason & Blake's System" in his Palm-sized Hanuman Editions. Manhattan December 14, 1989., Allen Ginsberg, 1989, printed 1995

Allen Ginsberg

Francesco Clemente taking a break from painting my portrait in oil, his first from life model, here working on background of imaginary Afric head, his studio Broadway & Great Jones Street. We'd done several illuminated books together (notably _White Shroud_ 1984) & he'd published my Blake discourse "Your Reason & Blake's System" in his Palm-sized Hanuman Editions. Manhattan December 14, 1989., 1989, printed 1995

Non exposée · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non exposée · National Gallery of Art

Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., Allen Ginsberg, 1985, printed 1991

Allen Ginsberg

Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., 1985, printed 1991

Non exposée · National Gallery of Art

William Burroughs ready to leave "the Bunker" for supper, he was visiting New York staying in his former Bowery loft, maybe back from Europe where he was awarded rosette Chevalier des Arts, visible below the round American Institute of Arts & Letters pin on his lapel, very distinguished gentleman, March 26, 1985, just beginning his late additional career as a painter., Allen Ginsberg, 1985

Allen Ginsberg

William Burroughs ready to leave "the Bunker" for supper, he was visiting New York staying in his former Bowery loft, maybe back from Europe where he was awarded rosette Chevalier des Arts, visible below the round American Institute of Arts & Letters pin on his lapel, very distinguished gentleman, March 26, 1985, just beginning his late additional career as a painter., 1985

Non exposée · National Gallery of Art

Harry Smith, Film-maker, folklore archivist, ethnomusicologist, hermetic painter, alchemist & Bishop of O.T.O. erasing some note in his calendar, Packing boxes of books and rare phonograph records in his room prior to departure from Hotel Breslin 28th St. & Broadway where he lived several years. Some boxes were stored in basement of Film-Maker's Archive, some at my apartment. January 12, 1985., Allen Ginsberg, 1985

Allen Ginsberg

Harry Smith, Film-maker, folklore archivist, ethnomusicologist, hermetic painter, alchemist & Bishop of O.T.O. erasing some note in his calendar, Packing boxes of books and rare phonograph records in his room prior to departure from Hotel Breslin 28th St. & Broadway where he lived several years. Some boxes were stored in basement of Film-Maker's Archive, some at my apartment. January 12, 1985., 1985

Non exposée · National Gallery of Art

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

Non exposée · National Gallery of Art