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Mother and Child in Harlem, Weegee,, October 18, 1943
Weegee, portraitWeegeeÉtats-Unis, 1899–1968

Mother and Child in Harlem

1943 · Photograph

Peut-on la voir ?

Pas exposée actuellement

Où est « Mother and Child in Harlem » aujourd’hui ? Collection: Art Institute of Chicago, Chicago. Pas exposée actuellement. Vérifié 29 septembre 2026.

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée
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Notice

Numéro d’inventaire
2022.262

Ce qu’elle montre

African AmericanMother and ChildPortraitPortraits: African American subject

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècle

Sources

Autres œuvres : Weegee

Toutes les œuvres
Anthony Esposito, Accused "Cop Killer", Weegee, January 16, 1941, printed 1960s

Anthony Esposito, Accused "Cop Killer"

January 16, 1941, printed 1960s · Non exposée · National Gallery of Art

Sleeper in a Bar, Weegee, 1939

Sleeper in a Bar

1939 · Non exposée · National Gallery of Art

Tenement Fire, Weegee, December 14, 1939

Tenement Fire

1939 · Non exposée · Museum of Modern Art

Suspect Taken to Jail, Weegee, c. 1940

Suspect Taken to Jail

c. 1940 · Non exposée · National Gallery of Art

The Dead Man's Wife Arrived and Then She Collapsed, Weegee, c. 1940

The Dead Man's Wife Arrived and Then She Collapsed

c. 1940 · Non exposée · National Gallery of Art

The Flower Peddler Near the Old Metropolitan Opera, Weegee, c. 1940

The Flower Peddler Near the Old Metropolitan Opera

c. 1940 · Non exposée · National Gallery of Art

Self Portrait in Police Van, Weegee, c. 1940

Self Portrait in Police Van

c. 1940 · Non exposée · Museum of Modern Art

Coney Island, Weegee, July 22, 1940

Coney Island

1940 · Non exposée · Museum of Modern Art

Aussi exposées : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Sur le même thème · African American

Toutes les œuvres sur ce thème
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Non exposée · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Non exposée · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Non exposée · National Gallery of Art

Boys, Shady Grove, Alabama, Gordon Parks, 1956, printed later

Gordon Parks

Boys, Shady Grove, Alabama, 1956, printed later

Non exposée · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Non exposée · National Gallery of Art

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Non exposée · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Non exposée · National Gallery of Art