David Alfaro SiqueirosMexique, 1896–1974Moises Saenz
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Art Institute of Chicago
Chicago, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
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À propos de l’œuvre
With Diego Rivera and José Clemente Orozco, David Alfaro Siqueiros was a founder of the renowned school of Mexican mural painting. A Marxist activist since his youth, he fought in the Mexican Revolution and later studied art in Europe. In the early 1930s, he was an influential professor of art in Los Angeles. Later, while in exile from Mexico, he also lived in Chile and Cuba. In this monumental portrait lithograph, he expressed his admiration for Mexican writer, educator, politician, and diplomat Moises Saenz.
Art Institute of ChicagoCC BY 4.0
Notice
- Numéro d’inventaire
- 1991.898
Au catalogue
Sources
- Art Institute of Chicago: the museum's own open data · obtenue il y a 7 jours
- Image : Art Institute of Chicago — © the artist or rights holder
Pendant ce temps, chez David Alfaro Siqueiros
La vie entière1920s
Split in the Syndicate: Rivera leaves, Siqueiros comes to the fore
A feud broke out within the Syndicate over whether to publish El Machete or lose financial support for mural projects. Siqueiros moved to the forefront of the organisation when Rivera left in protest at the decision to prioritise politics over art.
1930
Arrested and exiled to Taxco
In 1930 Siqueiros was arrested and then exiled to the town of Taxco; the exile proved fruitful: he produced several dozen works there.
1932
Deported from the United States for political activity
The same year, 1932, Siqueiros was unceremoniously deported from the United States for political activity.
1932
A new method of mural painting: projector and spray gun
Painting a fresco on an outside wall, visible to passersby as well as intentional viewers, forced Siqueiros to reconsider his methodology: a mural, in his view, must conform to the normal transit of a spectator rather than be an enlarged easel painting. He eventually developed a technique of tracing figures onto a wall with an electric projector, photographing early wall sketches to improve perspective, and using new paints, spray guns and other tools suited to the surfaces of modern buildings.
1932
In Los Angeles: mural workshops at Nelbert Chouinard’s invitation
Facing expulsion from Mexico for his radical political activity, Siqueiros came to Los Angeles at the invitation of Nelbert Chouinard to conduct mural workshops. A collective experimenting with airbrushes, spray guns and projectors painted three major murals under his direction in six months.
1932
An exhibition and conference in Taxco on Mexican muralism
In 1932 Siqueiros led an exhibition and conference entitled “Rectifications on Mexican Muralism” at the gallery of the Spanish Casino in Taxco.
