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  1. Collection/
  2. National Gallery of Art/
  3. Mobius Strip I
Mobius Strip I, M.C. Escher, 1961
Maurits Cornelis Escher, portraitMaurits Cornelis EscherPays-Bas, 1898–1972

Mobius Strip I

1961 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1961 · à 63 ans
18981972
Numéro d’inventaire
1982.90.10

Ce qu’elle montre

Non-representational

Au catalogue

EstampesGravure sur boisArt d’après-guerreXXe siècleDutch

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder

Pendant ce temps, chez Maurits Cornelis Escher

La vie entière
  1. 1956–1960

    The Penroses and “impossible figures”

    “House of Stairs” (1951) attracted the interest of the mathematician Roger Penrose and his father, the biologist Lionel Penrose; in 1956 they published a paper on impossible objects and later sent Escher a copy. He replied, admiring their continuously rising flights of steps, and enclosed a print of “Ascending and Descending” (1960); he went on to use the Penrose triangle repeatedly, notably in “Waterfall” (1961).

  2. 1957–1959

    Coxeter and “Circle Limit”

    In 1957 the geometer Donald Coxeter, with Escher’s permission, used two of his drawings in a paper on crystal symmetry and sent him a copy; the figure of a hyperbolic tessellation, with tiles shrinking rapidly towards the edge of a circle, “gave him quite a shock” — here was a way to represent infinity on a plane. He called his experiments “Coxetering”; they gave the series of wood engravings “Circle Limit I–IV”, and in 1959 Coxeter concluded that they were accurate to the millimetre.

  3. 1958–1959

    Books on tessellations and on his own graphic work

    In 1958 came the book “Regelmatige vlakverdeling” (“Regular Division of the Plane”), on the systematic build-up of mathematical designs, and in 1959 “Grafiek en tekeningen” (“Graphics and Drawings”), in which Escher himself commented on 76 works. After reading it in 1959 Albert Flocon began a correspondence with the artist and wrote, with André Barre, the book “La Perspective curviligne”.

  4. August – October 1960

    Lectures on symmetry: Cambridge, Ottawa, MIT

    In 1959 Escher met the chemist and crystallographer Caroline MacGillavry and at her invitation gave a lecture on symmetry at the international crystallographic conference in Cambridge in August 1960. On 29 August he sailed for Vancouver, and in October lectured in Ottawa and at the Massachusetts Institute of Technology.

  5. 29 July 1961

    Ernst Gombrich on Escher in the “Saturday Evening Post”

    On 29 July 1961 the influential weekly “The Saturday Evening Post” printed a long article by Ernst Gombrich on Escher’s work.

  6. 1962–1964

    Operations and cancelled lectures

    In 1962 Escher underwent an urgent operation and spent a long time in hospital — a planned series of lectures in North America was cancelled and he stopped working for a time. In 1964 he went to Canada again to see his son and give lectures, but almost at once he had to have an operation in Toronto and returned to Europe; his health then declined, and by the late 1960s he needed constant care.

Autres œuvres : Maurits Cornelis Escher

Toutes les œuvres
Green Sea, M.C. Escher

Green Sea

Non exposée · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Non exposée · National Gallery of Art

Portrait, M.C. Escher

Portrait

Non exposée · National Gallery of Art

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Non exposée · National Gallery of Art

Pond, M.C. Escher

Pond

Non exposée · National Gallery of Art

Railroad, M.C. Escher

Railroad

Non exposée · National Gallery of Art

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Non exposée · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Non exposée · National Gallery of Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · Non-representational

Toutes les œuvres sur ce thème
Sixth Knot, after Leonardo da Vinci, c. 1490/1500

Leonardo da Vinci

Sixth Knot, c. 1490/1500

Non exposée · National Gallery of Art

Composition en trois couleurs (Composition in Three Colors), Pablo Picasso, 1947

Pablo Picasso

Composition en trois couleurs (Composition in Three Colors), 1947

Non exposée · National Gallery of Art

A Glass on a Table, Pablo Picasso, 1913

Pablo Picasso

A Glass on a Table, 1913

Non exposée · National Gallery of Art

Composition, Pablo Picasso, 1946

Pablo Picasso

Composition, 1946

Non exposée · National Gallery of Art

Mao, Andy Warhol, 1973

Andy Warhol

Mao, 1973

Non exposée · National Gallery of Art

The Heart, Henri Matisse, published 1947

Henri Matisse

The Heart, published 1947

Non exposée · National Gallery of Art

The Nightmare of the White Elephant, Henri Matisse, published 1947

Henri Matisse

The Nightmare of the White Elephant, published 1947

Non exposée · National Gallery of Art

The Codomas, Henri Matisse, published 1947

Henri Matisse

The Codomas, published 1947

Non exposée · National Gallery of Art