ART WIKI32 963 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. Smithsonian American Art Museum/
  3. Mess Call
Mess Call, José Guadalupe Posada, published 1947

Mess Call

published 1947 · Graphic Arts-Print · 7.9 × 7 cm

Notice

Numéro d’inventaire
1971.439.62

Autres œuvres : José Guadalupe Posada

Toutes les œuvres

Sous le même toit : Smithsonian American Art Museum

Page du musée

Sur le même thème · Amusements

Toutes les œuvres sur ce thème
José Guadalupe Posada, portraitJosé Guadalupe PosadaMexique, 1852–1913

Peut-on la contempler ?

Inconnu

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

AmusementsRecreationFood habitsHommeFigure group

Au catalogue

EstampesGravure sur boisArt d’après-guerreXXe siècle

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead), José Guadalupe Posada, ca. 1894

Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead)

ca. 1894 · Metropolitan Museum of Art

Ballad of The Bejarano (Corrido: La Bejarano), José Guadalupe Posada

Ballad of The Bejarano (Corrido: La Bejarano)

Non exposée · Museum of Modern Art

Cogida de Don Chapito Toréro, José Guadalupe Posada, n.d.

Cogida de Don Chapito Toréro

n.d. · Non exposée · Museum of Modern Art

Testing the Devil (El Testerazo del Devil) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

Testing the Devil (El Testerazo del Devil) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Non exposée · Museum of Modern Art

Bullfighters (Los toreros [juguete]) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

Bullfighters (Los toreros [juguete]) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Non exposée · Museum of Modern Art

Conversation of the Good Calaveras (Coloquio de buenas calaveras), José Guadalupe Posada

Conversation of the Good Calaveras (Coloquio de buenas calaveras)

Non exposée · Museum of Modern Art

How to Scare Ghosts (Por Finjir Espantos) from 25 Prints of José Guadalupe Posada, José Guadalupe Posada, plate c. 1890-1910, published 1942

How to Scare Ghosts (Por Finjir Espantos) from 25 Prints of José Guadalupe Posada

plate c. 1890-1910, published 1942 · Non exposée · Museum of Modern Art

A Revolutionary's Farewell to His Sad Lover (Despedida de un Maderista y su triste amada), José Guadalupe Posada

A Revolutionary's Farewell to His Sad Lover (Despedida de un Maderista y su triste amada)

Non exposée · Museum of Modern Art

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

A Passage from the Papers, Henry Wolf, 1887

Henry Wolf

A Passage from the Papers, 1887

Smithsonian American Art Museum

"Anything for me, if you please?"--Post-office of the Brooklyn Fair, from Harper's Weekly, March 5, 1864, Winslow Homer, 1864

Winslow Homer

"Anything for me, if you please?"--Post-office of the Brooklyn Fair, from Harper's Weekly, March 5, 1864, 1864

Smithsonian American Art Museum

SE-QUO-YAH, from History of the Indian Tribes of North America, ca. 1837-1844

SE-QUO-YAH, from History of the Indian Tribes of North America, ca. 1837-1844

Smithsonian American Art Museum

Clown Elephants, Fugi Nakamizo, 1940

Fugi Nakamizo

Clown Elephants, 1940

Smithsonian American Art Museum

Bohemian Bear Tamer, Paul Wayland Bartlett, modeled 1887

Paul Wayland Bartlett

Bohemian Bear Tamer, modeled 1887

Smithsonian American Art Museum

Making Tea and Toast for Mrs. Underwood (Ida), William Lyman Underwood, ca. 1895

William Lyman Underwood

Making Tea and Toast for Mrs. Underwood (Ida), ca. 1895

Smithsonian American Art Museum

Bathers by Moonlight, Charles Walter Stetson, n.d.

Charles Walter Stetson

Bathers by Moonlight, n.d.

Smithsonian American Art Museum

Untitled (Artist Painting), C. F. William Mielatz, 1909

Charles Frederick William Mielatz

Untitled (Artist Painting), 1909

Smithsonian American Art Museum