Mercury and Pegasus, Charles Le Brun, 1660s/1670s
Charles Le Brun, portraitCharles Le BrunFrance, 1619–1690

Mercury and Pegasus

1660s/1670s · Drawing

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Pas exposée actuellement

Où est « Mercury and Pegasus » aujourd’hui ? Collection: National Gallery of Art, Washington. Pas exposée actuellement. Vérifié 29 septembre 2026.

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée

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Numéro d’inventaire
2022.40.8

Ce qu’elle montre

Au catalogue

Sources

Dans la vie de Charles Le Brun

La vie entière
  1. 1660

    The Gobelins Manufactory is founded

    With Colbert he founds the Gobelins manufactory — at first a great school producing not only tapestries but every kind of furniture required for the royal palaces; Le Brun becomes its director and through it commands the industrial arts.

  2. 1661

    A commission for a series on Alexander the Great

    Louis XIV commissions from Le Brun a series of paintings from the history of Alexander the Great, meant to show the symbolic link between Alexander's deeds and the splendour of the Sun King; cartoons for the tapestry series “The History of Alexander the Great” (1664 — 1680s) are made from them, and the series is repeated eight times.

  3. 1662

    Louis XIV ennobles Le Brun

    The king is so delighted with the first picture of the series, “Alexander and the Family of Darius”, that he at once ennobles the artist and grants him a pension of 12,000 livres, the same sum he had received yearly in Fouquet's service. From then on everything done in the royal palaces is directed by Le Brun.

  4. 1666

    The French Academy in Rome is founded

    With Colbert he founds the Academy of France in Rome as a base for promising young artists, who live and study there for a set period at the crown's expense.

  5. 1667

    Lectures at the Academy and the “Quarrel of the Ancients and the Moderns”

    He opens a cycle of lectures at the Royal Academy on the masterpieces of classical painting, thereby joining the famous seventeenth-century debate between the adherents of classicism and of the Baroque, known as the “Quarrel of the Ancients and the Moderns”. In the Academy he defends the “Poussinists” against the “Rubenists” and the primacy of strict drawing over colour; his chief opponent there was Pierre Mignard.

  6. 1669

    He takes charge of the decoration of the remodelled Versailles

    Louis XIV decides to renovate Versailles completely, then still a tiny palace, and to turn it into an opulent residence where he could receive his subjects and foreign diplomats; Le Brun is put in charge of its decoration down to the smallest details of arrangement and presentation.

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