Hans HolbeinAllemagne, 1497–1543Maria Magdalena
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Rijksmuseum Amsterdam
Amsterdam, Pays-Bas
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Source
- Les données de collection du musée lui-même
À propos de l’œuvre
Selon le musée — en néerlandais
Maria Magdalena met zalfpot in haar handen.
Rijksmuseum Amsterdam
Notice
- Numéro d’inventaire
- RP-P-1965-1324
Ce qu’elle montre
Au catalogue
Sources
- Rijksmuseum Amsterdam : les données ouvertes du musée · obtenue il y a 8 jours
- Image : Rijksmuseum Amsterdam — public domain
Pendant ce temps, chez Hans Holbein
La vie entière1515
Move to Basel with His Brother Ambrosius
In search of work, Hans and his brother Ambrosius moved to Basel, a flourishing center of book printing and the print trade.
1526
Departure for England on Erasmus's Recommendation
On the advice of Erasmus of Rotterdam he set out for England in search of work, visiting France and the Netherlands on the way; Erasmus recommended him to Thomas More.
1526
Received into Thomas More's Humanist Circle
In England he was received by Sir Thomas More, who found him a series of commissions; in the humanist circle Holbein quickly won a high reputation. More wrote to Erasmus: "Your painter is a wonderful artist."
early 1532
Return to England: The Second English Period
In early 1532 he returned to England and resumed his career under the patronage of Anne Boleyn and Thomas Cromwell; he painted portraits of the Lutheran merchants of the Hanseatic Steelyard.
1535
Court Painter to Henry VIII
He became court painter to King Henry VIII: he painted portraits, designed court festivities, and produced designs for fountains, stained glass, jewelry, and objects for the royal household. By 1536 he was receiving an annual salary of thirty pounds.
29 novembre 1543
Died
