Elisabetta SiraniItalie, 1638–1665Maria
À propos de l’œuvre
Selon le musée — en néerlandais
Buste van Maria, haar handen gekruist op haar borst.
Rijksmuseum Amsterdam
Notice
- Numéro d’inventaire
- RP-P-OB-38.752
Pendant ce temps, chez Elisabetta Sirani
La vie entièrec. 1650
Begins to paint at the age of twelve
The daughter of the painter and art dealer Giovanni Andrea Sirani, a favourite assistant of Guido Reni, she begins to paint. The art historian Carlo Cesare Malvasia, an acquaintance of the family, claimed that it was he who recognised her talent and persuaded her father to train her, although he was probably exaggerating his role.
by 1654
Takes over the family workshop
By 1654 her father is incapacitated by gout and can no longer work, and Elisabetta takes over the running of the workshop: she becomes the family’s main breadwinner, living on teaching fees and portrait commissions. The studio thrives, helped by the progressive atmosphere of Bologna, where women artists were accepted and celebrated; her sisters Barbara and Anna Maria serve as her assistants.
28 February 1657
First major public commission
At nineteen she receives her first major public commission, from Daniele Granchi, prior of the Carthusian church of the Certosa di Bologna; she will go on to paint at least thirteen public altarpieces.
1660
Opens a painting school for women
She opens a school — the first school of painting for women in Europe outside a convent, open regardless of the women’s artistic and social connections; besides her younger sisters Barbara and Anna Maria she trains at least twelve young women, among them the wood-engraver Veronica Fontana, Caterina Pepoli, Maria Elena Panzacchi, Camelia Lanteri, Lucretia Forni, Veronica Franchi and Ginevra Cantofoli, who was portrayed as Sirani’s rival.
