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AccueilCarteCatalogue
  1. Collection/
  2. Musée Herzog Anton Ulrich/
  3. [Marcus Curtius]
[Marcus Curtius], Hendrik Goltzius, 1586–1596
Hendrick Goltzius, portraitHendrick GoltziusPays-Bas, 1558–1617

[Marcus Curtius]

1586–1596 · Print

Peut-on la contempler ?

Inconnu

Musée Herzog Anton Ulrich

Brunswick, Allemagne

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
27 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1586–1596
15581617

Ce qu’elle montre

HommeChevalRiderArmourSwordSoldierVilleSchildHeldHelmArmeeHeer

Au catalogue

EstampesRenaissanceXVIe siècle

Sources

  • Musée Herzog Anton Ulrich
  • Image : Musée Herzog Anton Ulrich — CC BY-NC-SA 4.0

Pendant ce temps, chez Hendrick Goltzius

La vie entière
  1. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  2. c. 1584

    Meeting Karel van Mander

    He met the painter and his future biographer Karel van Mander, a refugee from Flanders, who introduced him to the drawings of Bartholomeus Spranger, then working in Prague for Rudolf II. Spranger's works exerted a significant influence on Goltzius's art.

  3. 1587

    Founding of the Haarlem Academy

    Together with Cornelis van Haarlem and Karel van Mander he founded an academy of art in Haarlem, later known as the Haarlem Mannerist Academy (some sources give 1583 or 1600). There, for the first time in the Netherlands, systematic study of anatomy and drawing from the nude model were introduced.

  4. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  5. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  6. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

Autres œuvres : Hendrick Goltzius

Toutes les œuvres
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum Amsterdam

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · Musée de l'Ermitage

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · Musée de l'Ermitage

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum Amsterdam

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum Amsterdam

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · National Gallery of Art

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · Cleveland Museum of Art

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · Cleveland Museum of Art

De la collection : Musée Herzog Anton Ulrich

Page du musée
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Sur le même thème · Homme

Toutes les œuvres sur ce thème
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Vincent van Gogh

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887

Metropolitan Museum of Art

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Terrasse à Sainte-Adresse, 1867

Metropolitan Museum of Art

The Musicians, Caravaggio, 1597

Caravaggio

Les Musiciens, 1597

Metropolitan Museum of Art

Self-Portrait, Rembrandt van Rijn, 1660

Rembrandt van Rijn

Self-Portrait, 1660

Metropolitan Museum of Art

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67

Rembrandt van Rijn

Portrait of Gerard de Lairesse, 1665–67

Metropolitan Museum of Art

Aristotle with a Bust of Homer, Rembrandt, 1653

Rembrandt van Rijn

Aristote contemplant le buste d’Homère, 1653

Metropolitan Museum of Art

Young Sailor II, Henri Matisse, 1906

Henri Matisse

Young Sailor II, 1906

Metropolitan Museum of Art

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Metropolitan Museum of Art