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  1. Collection/
  2. Victoria and Albert Museum/
  3. 'Making coats for Gentlemen'
'Making coats for Gentlemen', Beatrix Potter, ca. 1892

'Making coats for Gentlemen'

ca. 1892 · Watercolour · 9.6 × 13.8 cm

À propos de l’œuvre

Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.

Lire la suite

A number of Beatrix Potter’s narrative sequences of drawings were inspired by nursery rhymes. She explored the rhyme ‘Three little mice sat down to spin’ in around 1892, envisaging an illustrated booklet, possibly in a concertina format. She made detailed pen and ink studies and six finished watercolours: one for each line of the nursery rhyme (she omitted the last two lines of the usually eight-line rhyme). Potter also made a title-page and six decorated text pages. However, although the booklet reached this advanced stage of preparation it was never published. The fourth design, however, ‘Making coats for Gentlemen’, was adapted for her later book, The Tailor of Gloucester (1903).

The nursery rhyme, as she used it, reads:

Three little Mice sat down to spin

Pussy passed by, and she peeped in

‘What are you at, my fine little Men?’

‘Making coats for Gentlemen’

‘Shall I come in, and cut off your threads?’

‘Oh no! Miss Pussy, you’d bite off our heads’

This finished watercolour illustrates the line, ‘Making coats for Gentlemen.’ For a related pen and ink study, see museum number BP.634(5).

Victoria and Albert Museum

Pendant ce temps, chez Beatrix Potter

La vie entière
  1. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  2. 1890–1894

    First commissions: cards, rabbits and frogs

    In the 1890s Beatrix printed Christmas and other greeting cards of her own design — her first commercially successful works. In 1890 the firm of Hildesheimer and Faulkner bought several drawings of her rabbit Benjamin Bunny to illustrate Frederic Weatherly’s verses “A Happy Pair”, in 1893 several more for “Our Dear Relations”, and in 1894 the publisher Ernest Nister took a series of frog illustrations and verses for the annual “Changing Pictures”.

  3. summer 1892

    Charles McIntosh and the fungi

    In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.

  4. 1893

    A letter to Noel Moore about four rabbits

    In September 1893, on holiday at Eastwood near Dunkeld, Beatrix ran out of things to write to Noel, the often-ill eldest son of her former governess Annie Carter Moore, and told him a story about “four little rabbits whose names were Flopsy, Mopsy, Cottontail, and Peter”. It became one of the most famous children’s letters ever written and the basis of her future career; it was Annie who later suggested that such letters might make good children’s books.

Autres œuvres : Beatrix Potter

Toutes les œuvres

Sous le même toit : Victoria and Albert Museum

Page du musée

Sur le même thème · Nursery rhymes

Toutes les œuvres sur ce thème

Notice

ca. 1892
18661943
Numéro d’inventaire
BP.634(11)

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Beatrix Potter, portraitBeatrix Potter1866–1943

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée
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Three little Mice sat down to spin, Beatrix Potter, ca. 1892

Beatrix Potter

Three little Mice sat down to spin, ca. 1892

Non exposée · Victoria and Albert Museum

Thimble, scissors, pin-cushion and cotton reels, Beatrix Potter, ca. 1892

Beatrix Potter

Thimble, scissors, pin-cushion and cotton reels, ca. 1892

Non exposée · Victoria and Albert Museum

Text page design, 'Pussy passed by, and she peeped in', Beatrix Potter, ca. 1892

Beatrix Potter

Text page design, 'Pussy passed by, and she peeped in', ca. 1892

Non exposée · Victoria and Albert Museum

'Shall I come in, and cur off your threads?', Beatrix Potter, ca. 1892

Beatrix Potter

'Shall I come in, and cur off your threads?', ca. 1892

Non exposée · Victoria and Albert Museum

Three mice holding coats and speaking to a cat at the window, Beatrix Potter, ca. 1892

Beatrix Potter

Three mice holding coats and speaking to a cat at the window, ca. 1892

Non exposée · Victoria and Albert Museum

'What are you at, my fine little Men?', Beatrix Potter, ca. 1892

Beatrix Potter

'What are you at, my fine little Men?', ca. 1892

Non exposée · Victoria and Albert Museum

'Oh no! Miss Pussy, you'd bite off our heads', Beatrix Potter, ca. 1892

Beatrix Potter

'Oh no! Miss Pussy, you'd bite off our heads', ca. 1892

Non exposée · Victoria and Albert Museum

Title page design for 'Three little mice sat down to spin', Beatrix Potter, ca. 1892

Beatrix Potter

Title page design for 'Three little mice sat down to spin', ca. 1892

Non exposée · Victoria and Albert Museum

Ce qu’elle montre

Nursery rhymesIllustrationsAnimalAnthropomorphismMiceMouseWindowsCatClothCoatsInterior viewsWainscoting

Au catalogue

Dessins et aquarellesAquarelleImpressionnismeXIXe siècleBritish