Honoré DaumierFrance, 1808–1879Madeleine-Bastille
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Washington, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 1954.12.16
Ce qu’elle montre
Au catalogue
Sources
- National Gallery of Art
- Image : National Gallery of Art — Museum open access
Pendant ce temps, chez Honoré Daumier
La vie entière1860
Le Charivari Dropped His Caricatures
After thirty years of continuous work, the popularity of Daumier's caricatures declined, and in 1860 Le Charivari dismissed him from its staff. Years of hardship followed, but also of free time for painting — a period of great productivity and artistic growth.
1863
Departure from the Île Saint-Louis to Montmartre
By 1863 Daumier was selling off his furniture to raise funds; he left the Île Saint-Louis and in 1863–1865 moved through a succession of lodgings in Montmartre, losing touch with many of his friends.
1864
New Contract with Le Charivari
In 1864 Le Charivari offered Daumier a new contract; he returned to caricature to earn a living and found an appreciative public, producing 100 lithographs in a year for an income of 400 francs a month.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
