Love Restrained by the Graces, Konrad Linck, possibly 1763-1777
Konrad Linck

Love Restrained by the Graces

possibly 1763-1777 · Sculpture

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Oui, exposée actuellement

Où est « Love Restrained by the Graces » aujourd’hui ? Musées d'Art de Harvard, Gallery 2220, floor 2, European and American Art, 17th–19th century, Cambridge. Oui, exposée actuellement. Vérifié 29 septembre 2026.

Musées d'Art de Harvard

Cambridge, États-Unis

Salle2220, floor 2, European and American Art, 17th–19th century

Présentée au public.

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À propos de la sculpture

In the 18th century, porcelain was the most modern decoration because it had so recently been made for the first time in Europe. This new material was used to create objects dealing with contemporary popular themes, such as fashionable life and love. Earlier experiments in making “true” porcelain had failed, and vessels continued to be made of earthenware, like the punch bowl in an adjacent gallery (2240). Creating “true,” or hard-paste, porcelain out of feldspar and quartz became an obsession for European monarchs in their quest to compete with imported Chinese works and, later, with one another as they set up various nationalized porcelain factories.

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In Love Restrained by the Graces, cupid figures are encircled by and intertwined with nude females symbolizing beauty and joy. Such a work could evoke pleasing associations during the consumption of sweets at the end of a meal. While enjoying dessert, a European male viewer might contemplate the ideal of self-control in the face of desire, to say nothing of the industrial and artistic dominance over a rival state suggested by such fine wares.

For a special display of Chinese and Korean porcelain, visit Gallery 3620. See more 18th-century German porcelain in an installation designed by contemporary artist Arlene Shechet in Gallery 1510.

Musées d'Art de Harvard

Notice

Numéro d’inventaire
BR64.75

Au catalogue

Sources

Dans la même salle · Gallery 2220, floor 2, European and American Art, 17th–19th century, Musées d'Art de Harvard

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