Les Piérides

1859–1888 · Lieu de travail

Paris

1880

His last exhibition: “Helen” and “Galatea”

In 1880 Moreau took part in an exhibition for the last time, showing “Helen at the Walls of Troy”, in which the woman appears as a depraved creature guilty of war and the death of men, and “Galatea”, whose heroine is an object of desire on which the huge eye of the cyclops in love is vainly fixed.

1881

The Fables watercolours at the Cercle des Aquarellistes

In 1881 all the commissioned works were exhibited together at the Cercle des Aquarellistes in Paris. The critics celebrated the show: Moreau’s work (he completed 25 pieces, more than anyone else) was judged far superior to most of the others, and he alone was commissioned to continue the series.

1884

The death of his mother

In 1884 Moreau’s mother died at the age of 82. They had been very close: she lost her hearing in her later years, and Gustave communicated with her by writing notes, often giving his thoughts on the paintings he was working on. Her death threw him into deep despair; for a while he could not spend nights alone in the family house and took refuge in Alexandrine Dureux’s apartment, and the room where his mother died was left unchanged, a shrine he never entered.

1884

Huysmans praises Moreau in “Against Nature”

In his famous novel “Against Nature” (À rebours, 1884) the writer Joris-Karl Huysmans called Moreau a unique artist with neither real predecessors nor possible successors.

1886

His only private show, at the Goupil Gallery

In 1886 the only private show of Moreau’s life was held at the Goupil & Cie Gallery in Paris, where Théo van Gogh was manager: 64 La Fontaine fables with six other large watercolours. It was later shown in London.