Henri Rousseau, portraitHenri RousseauFrance, 1844–1910

Le navire dans la tempete

1889 après · Painting · 54 × 65 cm

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Inconnu

Où est « Le navire dans la tempete » aujourd’hui ? Collection: Musée de l'Orangerie, Paris. Inconnu.

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée

Notice

Numéro d’inventaire
RF 1960-27

Ce qu’elle montre

Au catalogue

Sources

  • Musée de l'Orangerie
  • Image : Musée de l'Orangerie — © C. Jean ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

Dans la vie de Henri Rousseau

La vie entière
  1. 1886–1893

    Twenty paintings in seven years: ridicule and friends

    Over the next seven years Rousseau, dividing his time between work, family and painting, showed about twenty pictures at the Salon des Indépendants; the public barely noticed them and critics kept mocking them, but his friends, the Impressionist painters, supported him, valuing his spontaneity and sincerity.

  2. late 1880s – early 1890s

    Loses nearly all of his family

    In the next few years after his wife’s death Rousseau lost the rest of his family as well, except for one daughter, whom he sent to live with relatives. The most notable work of these years was his self-portrait of 1890.

  3. 1888

    Death of his wife Clémence

    Rousseau’s wife Clémence died in 1888 after a long illness, and he was left a widower.

  4. 1889

    The 1889 World’s Fair and a vaudeville about it

    The 1889 World’s Fair, where pavilions reproduced views of Senegal, Tonkin and Tahiti, impressed Rousseau so much that he wrote a vaudeville, “A Visit to the 1889 Exhibition,” which was never staged. It may also have influenced his exotic landscapes.

  5. 1891

    First serious review: Vallotton on the tiger

    In 1891 “Tiger in a Tropical Storm (Surprised!)” was exhibited, and the young painter Félix Vallotton wrote that the tiger surprising its prey was not to be missed — “the alpha and omega of painting.” It was Rousseau’s first serious review; he did not return to his jungles for more than a decade.

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