Laatste Oordeel

1510 · Print

Peut-on la contempler ?

Inconnu

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source: Le musée

Sur la carte Page du musée

À propos de l’œuvre

Selon le musée — en néerlandais

Christus als rechter in de hemel tijdens het Laatste Oordeel, met Maria aan zijn rechterzijde en Johannes de Doper aan zijn linkerzijde. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire: RP-P-OB-1356

Ce qu’elle montre

Comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion)After the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Au catalogue

Estampes Renaissance XVIe siècle

Sources

Rijksmuseum Amsterdam
Image : Rijksmuseum Amsterdam — public domain

Pendant ce temps, chez Albrecht Dürer

La vie entière

1507–1528 · Lieu de travail
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.
1509
Buys a large house in Nuremberg
Dürer bought a large house from the heirs of the astronomer Bernhard Walther; it housed his workshop, and his widow lived there after his death until 1539.
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.