Félix Edouard VallottonFrance, 1865–1925La Valse
Peut-on la voir ?
Inconnu
Où est « La Valse » aujourd’hui ? Collection: Musée d'Art moderne André-Malraux, Le Havre. Inconnu.
Le Havre, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
Notice
- Numéro d’inventaire
- 2004.3.68 ; Livre de raison de Vallotton (LRZ 140)
Ce qu’elle montre
Au catalogue
Sources
- Musée d'Art moderne André-Malraux
- Image : Musée d'Art moderne André-Malraux — © KLEINEFENN; Ministère de la Culture (France), base Joconde
Dans la vie de Félix Edouard Vallotton
La vie entière1889–1903 · Adhésion
Les Nabis
1890–1897
Art critic for the Gazette de Lausanne
To earn a living Vallotton restored paintings for the dealer Henri Haro, and from 1890 he wrote for the Swiss Gazette de Lausanne — some thirty articles on the Paris art world up to 1897.
1891
Leaves the Salon for the Indépendants
Showing at the official Salon des Artistes for the last time, Vallotton exhibited six paintings at the avant-garde Salon des Indépendants for the first time. Commissions from Swiss patrons began to arrive at the same time.
1892
“The Foreign Nabi” and friendship with Vuillard
Among the Nabis — Bonnard, Roussel, Maurice Denis — Vallotton found a lifelong friend in Édouard Vuillard; he kept a little apart from the others, earning the jocular title of “the Foreign Nabi”.
1893–1897
Woodcuts for La Revue Blanche; the Natansons' patronage
His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.
