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AccueilCarteCatalogue
  1. Collection/
  2. Albertina/
  3. La sortie du bain
La sortie du bain, Edgar Degas, 1870–1880
Edgar Degas, portraitEdgar DegasFrance, 1834–1917

La sortie du bain

1870–1880 · Print

Peut-on la contempler ?

Nous l’ignorons : le musée garde le silence

Albertina

Vienne, Autriche

Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.

Dans cet état depuis
27 sept. 2026
Source
Les données de collection du musée lui-même
Sur la cartePage du musée

Notice

1870–1880
18341917

Au catalogue

EstampesRéalismeImpressionnismeXIXe siècle

Sources

  • Albertina : les données ouvertes du musée · obtenue il y a 8 jours
  • Image : Albertina — Public Domain Mark 1.0

Pendant ce temps, chez Edgar Degas

La vie entière
  1. 1870

    A volunteer in the war; a flaw in his eyesight

    When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.

  2. octobre 1872 – mars 1873 · Résidence

    New Orleans

  3. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  4. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  5. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

  6. by 1882

    His eyesight sharply worsens

    By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.

Autres œuvres : Edgar Degas

Toutes les œuvres
The Little Fourteen-Year-Old Dancer, Edgar Degas, modeled 1881, cast 1922, modern tutu

The Little Fourteen-Year-Old Dancer

modeled 1881, cast 1922, modern tutu · Metropolitan Museum of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)

1865 · Metropolitan Museum of Art

Portrait of Mlle. Hortense Valpinçon, Edgar Degas, c. 1871

Portrait of Mlle. Hortense Valpinçon

c. 1871 · Minneapolis Institute of Art

The Dance Class, Edgar Degas, 1874

The Dance Class

1874 · Metropolitan Museum of Art

Woman Having Her Hair Combed, Edgar Degas, ca. 1886–88

Woman Having Her Hair Combed

ca. 1886–88 · Metropolitan Museum of Art

Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer), Edgar Degas, original wax c. 1878-1881, cast 1920/1926

Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer)

original wax c. 1878-1881, cast 1920/1926 · National Gallery of Art

Horse Galloping on the Right Foot, Edgar Degas, late 1880s

Horse Galloping on the Right Foot

late 1880s · National Gallery of Art

Horse Trotting, the Feet Not Touching the Ground, Edgar Degas, 1870s

Horse Trotting, the Feet Not Touching the Ground

1870s · National Gallery of Art